Tag: This Week Playlist

This Week Playlist (5th Feb): 7 corking 2019 releases to light up your week

logomakr_76k0fb

Soccer Mommy – Be Seeing You

21 (!) year old Sophie Allison (aka Soccer Mommy) dug back into her archive last week by  releasing a demo of Blossom from her 2018 album Clean along with Be Seeing You, a b-side that was only previously available physically. I really like the fuzzy vocals and melancholic tone. It’s all very lo-fi but the melody will absolutely get stuck in your head.

Billie Eillish – bury a friend 

bury a friend is yet another winning track from this ridiculously talented young lady. With a pounding beat, creeping synths and distorted vocals, there’s a constant sense of menace and urgency. I cannot wait for the album.

Tarantina – Hunter

According to her website “TARANTINA is a self-taught singer, producer and videographer who creates dark polished pop within the confines of her home studio in Camden Town.” Hunter is certainly dark and it’s most definitely pop, but it’s also an incredibly assured track where everything feels essential. The drama and intrigue only grows with every listen.

Martha – Love Keeps Kicking 

Love keeps Kicking takes me back to the pop punk tracks that I dined out on in my teenage years. Simple effective melody? tick. Catchy chorus? tick. Fun guitar bits? tick. (if I were more computer savvy, I could probably have used a tick graphic, but no such luck). This is what summer should sound like, and if you aren’t humming and foot-tapping away on the second listen then there’s nothing I can do to help you. Martha are from Durham (although I swear the singer has a Scottish lilt) and have a new album out on the 5th April.

Vera Blue – All The Pretty Girls (Mahogany Sessions)

I’m a big fan of Vera Blue’s work and I really like this new and stripped back version of 2018 single All The Pretty Girls. It strips away all of the production from the original and leaves a delicate guitar and Vera’s luscious and vulnerable voice. In my humble opinion, it runs rings around the original.

ViVii – And Tragic

And Tragic has enough melodrama and tension to make Lana Del Ray cast jealous glances. At times it feels grandiose but then it dips out, like a fading dream. I really like the twin vocals and the guitar is a constant star, but by the end of the track you really have no idea where you’ve just been.

James Blake, Travis Scott, Metro Boomin – Mile High 

One of the highlight’s from Blake’s recent album Assume Form, Mile High is just a great blend of top notch beats, the silky smooth flow of Scott and Blake’s soaring falsetto.

Ramblings: On Allan Rayman, R’n’B and what’s coming up

logomakr_6gasea

Regular readers of the blog will know that one of the artists we’ve been most excited about in 2017 is Allan Rayman.

I discovered him slightly by accident. My Spotify Release Radar playlist told me that Jessie Reyez had a new song out (Repeat); but I was immediately blown away by the male voice on the track and wanted to know more. It was, of course, Allan Rayman.

He’s a man who I previously described as an international man of mystery. When I first googled him, the top hit was about how mysterious he was, how he didn’t give interviews or appear in videos or chat to the audience at gigs. He released 13, a stunningly good single that’s still in the A List after four weeks, and his album Roadhouse 01 came out recently.

As part of the promotion for the album he has given his first interview to Billboard, which you can read here. It’s a great read, and helps to get you a little closer to understanding his artistic vision. But – again – there’s enough distance, enough things unsaid, that leave a hefty layer of intrigue around him.

Last week I went to see him live (with Gig-Buddy Matt) at the St Pancras Old Church. In the pub beforehand I said I was looking forward to finding out if I knew more about Allan Rayman at the end of the evening, or if he remained an unsolvable problem.

The most important thing to say is that it was a stunning gig. He possesses one of the most impressive voices I’ve come across in a very long time; its unique in its range, power and style. I’d go as far as to say the recordings don’t actually do it justice.

The second observation is that he sits across a range of musical styles and genres in a very exciting way. Combining hip hop beats, guitar parts that could belong in prog, rock, funk or electro pop tracks, vocals that range between pure power and an R ‘n’ B style shimmer. Even within the same song, he can display a range that’s bafflingly good.

My final comment is that I’m not sure I do know anything more about Allan Rayman the man behind the music. He stood in a small church in North London, illuminated by red lights, and seemed to let his satanic demons take over – especially on the newer songs (for which he’s adopted a darker alter-ego). But, even though he spoke to the audience a lot more than I was expecting, he didn’t necessarily say anything that gives us any greater insight (perhaps my favourite between-song comment was: ‘I’m not much of a talker’).

But I am more than a little bit in love. With his art, with his voice, with his style. Every now and then an artist comes along who leaves you hooked; simply wanting to know more. Allan Rayman is the latest addition to that very special list.

____

Onto different matters now, and we’ve got a big week lined up on the Blog. Later today The Bonus List is coming up, and tomorrow morning the This Week Playlist will be live. I’m also hoping to get around to updating the Dream Festival, which is proving to be trickier than I thought.

Tam went to see White Lies at the Troxy last night, so I’m looking forward to reading his review of that. Similarly George is positively bursting at the seems with new albums to review, so expect one or two of those to drop this week.

____

Finally, speaking of George, if you didn’t see his monthly column on Saturday Word On The Street, I highly recommend you give it a read. Covering a mind-blowing number of genres with his passionate style, he brings you up to date on everything in the world of ‘urban’ – a term both he and I hate – music for February. It’s fab. Go read it.