Tag: The Chemical Brothers

The A List (31st March 2019) – the ten best new music tracks right now

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I’ve been  under the weather with a chest infection the past few days, so one of the three new entries in the top 10 hasn’t featured on the blog this week (apologies to Molly Tuttle, you were meant to be a Track of the Day on Friday but I was in my sickbed). There’s a new number one, and four tracks reach their three week time limit. Check these bad boys out… 

1. Dave – Psycho [New Entry]

The first track on Dave’s recent album Psychodrama, it starts by introducing the listener to the album’s thematic concept, namely that of a therapy session. What follows is a three part drama,   with Dave reflecting on where he is now, he talks about drug dealing and gang violence. The second section is an eruption of confidence and swagger reminiscent of Dizzee Rascal’s pop pomp. The second section ends as Dave starts to identify himself as “careful, humble, reckless, arrogant, extravagant” followed by a reference about how he’s probably battling manic depression. Dave may be peerless when it comes to structuring songs – with outstanding production – around emotional journeys.

2. Rasharn Powell – Warm In These Blue Jeans [Final Week]

Everything in Warm In These Blue Jeans oozes class and style. “If I had wings, I would touch the sky” he sings, and we can feel ourselves soaring with him.

3. Teddy Pendergrass – Life Is A Song Worth Singing (Jamie Jones Remix) 

A truly wonderful remix that can brighten up any day. Every time I listen to it I end up smiling and wanting to dance. It starts with the teasing synths, but from there it throws in all sorts of wildcards. Teasing hi-hats, cowbells, trumpets. They all make an appearance. And the vocals help to keep the track grounded whilst all the chaos happens around them.

4. Lily Byrd – Don’t Move [Final Week]

From her Number EP released in January, New Hampshire’s Lily Byrd does something rather magical with Don’t Move. It is simultaneously familiar, sad, and hypnotic.

5. The Chemical Brothers – We’ve Got To Try [Final Week]

Taking The Halleluiah Chorus’s I’ve Got To Find A Way and giving it some electronic rocket boosters, this is a very funky track that sounds like they’re dipping into some of their earlier works.

6. Mathame – Skywalking [New Entry]

Skilfully walking the line between earphone pleasure and crowd pleaser, Skywalking starts by building slowly. Like a young bird unsure how to fly for the first time, it stutters and teases and grows in confidence for nearly 90 seconds. And then we are off… From a similar mould to Four Tet’s remix of Opus, Skywalking eschews the standard ‘big drop’ trope so familiar to dance music, and instead takes the listener on a journey through the clouds. Impressive work indeed.

7. The Twilight Sad – Girl Chewing Gum 

Lyrically it uses the same lines on repeat, but when you consider what those lines say, it really hits home. These are accompanied with swirling guitars and feedback, which provide the unsettling backdrop. The slightly shouty chorus is accompanied by a guitar part that viciously cuts through the record and into your soul. Even the hint of solace after the chorus is snatched away as the track becomes claustrophobic.

8. Molly Tuttle – Take The Journey [New Entry]

Some stunning guitar playing underpins Take The Journey, yet the track is easily accessible and rather uplifting. The theme of overcoming adversity and persevering are universal enough, and by the end you feel empowered.

9. James Supercave – Alarm Will Sound [Final Week]

Gentle sweeping electronics, a pace that feels gentle but is deceptively quickening, vocals that feel a little jarring until you realise how perfect they are. This is a really solid effort, superbly catchy and a very welcome return.

10. Peer Kusiv – Tundra 

German music producer Peer Kusiv’s latest EP came out in early February, and this is the title track. Full of shifting sounds – both the bass line and top end melody constantly evolve throughout the track – this is an expansive track that sounds great on headphones in the dark.

The A List (24th March 2019) – the ten best new music tracks right now

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No change at number 1 this week but five new entries, which isn’t that surprising given four tracks reached their time limit last week. Rasharn Powell continues to sound immaculate, but the Jamie Jones/Teddy Pendergrass track is an early contender for dance track of the year.  We lose only one track this week due to the three week time limit, the excellent Pressure to Party by Julia Jacklin. 

1. Rasharn Powell – Warm In These Blue Jeans 

Everything in Warm In These Blue Jeans oozes class and style. The laid-back groove kicks in immediately, the silky smooth vocals follow. There’s some lovely electronic touches and counter vocals, and the chorus feels majestic. “If I had wings, I would touch the sky” he sings, and we can feel ourselves soaring with him. The extended outro is also a winner.

2. Teddy Pendergrass – Life Is A Song Worth Singing (Jamie Jones Remix) [New Entry]

Tuesday’s Track of the Day, this is a truly wonderful remix that can brighten up any day. Every time I listen to it I end up smiling and wanting to dance. It starts with the teasing synths, but from there it throws in all sorts of wildcards. Teasing hi-hats, cowbells, trumpets. They all make an appearance. And the vocals help to keep the track grounded whilst all the chaos happens around them.

3. The Twilight Sad – Girl Chewing Gum [New Entry]

Wednesday’s Track of the Day and from the album I reviewed this week, this track has really stayed with me. Lyrically it uses the same lines on repeat, but when you consider what those lines say, it really hits home. These are accompanied with swirling guitars and feedback, which provide the unsettling backdrop. The slightly shouty chorus is accompanied by a guitar part that viciously cuts through the record and into your soul. Even the hint of solace after the chorus is snatched away as the track becomes claustrophobic.

4. Lily Byrd – Don’t Move 

From her Number EP released in January, New Hampshire’s Lily Byrd does something rather magical with Don’t Move. It is simultaneously familiar, sad, and hypnotic. The gentle strumming of the guitar and soft vocals are beautiful, but the distorted saxophone (at least I think its a sax) keep disturbing the slumber of the track, the paralysis of sadness that the song speaks of. “Hypnotised by a lack of love” she sings at the end, and you realise you’re living every heartbeat with her.

5. Julia Jacklin – Pressure to Party [Final Week]

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice.

6. James Supercave – Alarm Will Sound 

Gentle sweeping electronics, a pace that feels gentle but is deceptively quickening, vocals that feel a little jarring until you realise how perfect they are. This is a really solid effort, superbly catchy and a very welcome return.

7. The Chemical Brothers – We’ve Got To Try

With a stunning return to form, We’ve Got to Try sounds like an old soul record that has been bastardised (in a good way), because that’s exactly what it is. Taking The Halleluiah Chorus’s I’ve Got To Find A Way and giving it some electronic rocket boosters, this is a very funky track that sounds like they’re dipping into some of their earlier works.

8. Peer Kusiv – Tundra [New Entry]

German music producer Peer Kusiv’s latest EP came out in early February, and this is the title track. Full of shifting sounds – both the bass line and top end melody constantly evolve throughout the track – this is an expansive track that sounds great on headphones in the dark.

9. Tones and I – Johnny Run Away [New Entry]

Tones and I is a singer hailing from Byron Bay Australia and this is her debut release. The song was inspired by her best friend coming out to his dad when he was younger, and in Johnny Run Away she speaks of young love and the negative reaction that receives from those that are meant to love unconditionally. I don’t know whether the title is a reference to the classic Bronski Beat track Smalltown Boy, but it certainly deals with the same theme of a young man feeling isolated by his sexuality.

10. Grand Pax – Lapse [New Entry]

From the opening note Lapse feels claustrophobic. With a beat in the background that sounds heavily inspired by Darth Vader, the close and dense electronics are matched by the vocals until the chorus, when Grand Pax’s voice is allowed to shine. This doesn’t feel a million miles away from the kind of music that Massive Attack produce.

This Week Playlist – 7 cracking new songs to feast your ears on

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A slight difference to the playlist this week. I’ve had a few songs lurking for a while that I haven’t had a chance to post. They’re all great songs, just some of them were released in January and early February. Hope you enjoy.

Tallies – Mother 

Toronto indie-poppers Tallies released their self-titled debut album in early January, and Mother comes from that. It’s all jangly guitars and has a very catchy chorus. It reminds me very much of the La’s, but I think you can also hear The Smiths in the guitars and bass as well.

Makthaverskan – Demands 

More indie pop with female vocals, but this time from Sweden. Maja Milner’s vocals make this track. There’s plenty of urgency in the musicianship, but it’s her voice that defines the song and lets it soar and sweep down. There’s something slightly chaotic and punky in the track, despite the jangly guitars. Great stuff.

James Supercave – Alarm Will Sound 

A few years ago The Penguin got absolutely obsessed with Half Moon Run’s Trust, and Alarm Will Sound has so many of the same esquisite touches. Gentle sweeping electronics, a pace that feels gentle but is deceptively quickening, vocals that feel a little jarring until you realise how perfect they are. This is a really solid effort, superbly catchy and a very welcome return.

Yot Club – take care 

The Penguin was a big fan of Yot Club’s debut EP aquarium, which covered five songs in twelve minutes. take care was my favourite track on the EP, it’s full of hazy vibes and gentle instruments; it’s like the sun is setting on the best day of your life.

Ingrid Andress – Lady Like 

The Penguin hasn’t featured a lot of country music so far this year but this is rather good (and is also more towards the pop end of the country spectrum). This is Ingrid Andress’s debut release, although she’s written tracks for some big hitters, and it has a somewhat ironic title. I like the lyrics (Sometimes I forget not to talk ’bout politics, When I’m in the middle of me getting hit on) and the vocals are really interesting; they remind me in parts of Lorde. She’s currently touring on the C2C show.

The Chemical Brothers – We’ve Got To Try  

With a stunning return to form, We’ve Got to Try sounds like an old soul record that has been bastardised (in a good way), because that’s exactly what it is. Taking The Halleluiah Chorus’s I’ve Got To Find A Way and giving it some electronic rocket boosters, this is a very funky track that sounds like they’re dipping into some of their earlier works.

Lazybones – Fashion Victim 

“You!, You’re a Fashion Victim, Well what d’ya think about that” The Penguin isn’t known for being a trendsetter in the sartorial sense, but even he’d think twice if he had this song written about him. Fun, thrash-tastic and to the f*cking point, this is punk-influenced and all the better for it. The Brighton three piece recently released their Bang Bang EP, if you fancy listening to more.