Tag: Tall Tall Trees

This Week: 8 fresh songs to tickle your ears

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Our Tuesday begins with the This Week Playlist, some new songs that we’ve heard a couple of times and feel need a wider audience.

It’s a bumper edition this week: one of the songs was meant to be a Track of the Week last week but I ran out of time to post it. There’s also been some really interesting releases out this week, with – yet more – pretty impressive R ‘n’ B tracks.

So here it is. Enjoy. Let the music tickle your ears.

Tall Tall Trees – Being There

We’ve featured Tall Tall Trees before on the blog, and he released his album Freedays in February. Being There is a slightly different sound to former Track of the Day Freedays; I think this sounds more like an upbeat indietronica track with a Kings of Leon style chorus.  The psychedelic infused indie folk of Freedays does make a reappearance towards the end, in – my favourite section of the track – the playful breakdown that keeps meandering off in different directions.

NoMBe – Young Hearts

This was meant to be a Track of the Day last week but time escaped me. However I very much wanted to post it, if for no other reason than this track continues to elude my categorising brain. Young Hearts is an unusual track; it could easily be classified as electro pop or r ‘n’ b. But its most baffling element is that – despite its title, luscious guitars, sensual synths and falsetto vocals – it’s a weirdly asexual track. It’s a little like watching your auntie twerk at a party (sorry about that); in different hands this could have been a sexy affair. I like this track in part because it defies my expectations I’ve yet to work out how all the pieces come together.

Allan Rayman – Shelby Moves

I’ve written more than enough about Allan Rayman for one week. I’ve been loving his dark and intriguing new album Roadhouse 01 and Shelby Moves is one of the highlights from it. Pointed lyrics, lurking, ominous beats and some awesome shifts in direction, this song beautifully captures Rayman’s unique selling points. In his recent interview with Billboard, Rayman picked out this track as the one he most connects with:

Are there any songs that you’re particularly close to?

AR: “Shelby Moves.” It explains why I haven’t been doing many interviews and haven’t been all over social media; at the end of the day, I think fans build up these crazy ideas of celebrities or musicians or the people they’re listening to and watching and I think there’s a really dark undertone to that fandom and celebrity-ness. So “Shelby Moves,” I think, explains that at the end of the day. I’m a pretty average dude with a pretty boring story, but I can write some songs and I’m very creative — but I’m not going to wow you with my background. I often, especially recently when I’m at home, am wondering, “Why is this becoming so successful?” Because at the end of the day, I would say I’m just a regular dude, so why me? I still haven’t really figured it out.

R I T U A L – Drown The Lovers

Another sparse r’n’b inspired track with elements of hip hop, this time from London-based group RITUAL . On Drown The Lovers, the minimalist backing track allows the delicate and emotional vocals to flourish. Add in an impressive chorus that’s very much in keeping with the understated but stirring vibe, and you’ve got a pretty impressive track.

Lucy Rose, The Staves – Floral Dresses

I discovered Lucy Rose through her work with Bombay Bicycle Club – who I seem to be mentioning a lot on the blog recently; I think I’m missing them – and her obvious musical charm shines through on Floral Dresses. Nailing the gentle, minimalist folk sound that Laura Marling has perfected, Floral Dresses seems to hark back to some childhood tensions, seemingly with some female authority figure. As she sings: ‘I don’t wanna wear your floral dresses, And my lips won’t be coloured, I don’t want your diamond necklace
Your disapproval cuts through.’ 
GLASS – Vulnerable

London-based duo GLASS provide this week’s dose of electro-pop. With an incredibly catchy synth part running throughout the track, the stark contrast between what sounds like a heavier Keane style backing track and vocals that sing ‘Oh she’s vulnerable, really shouldn’t be alone’ leave an intriguing aftertaste.

Savoy Motel – Western Version Boogie

Savoy Motel caught my attention in the second half of 2016 with Sorry People, one of the most ill-fitting singles of the decade. Western Version Boogie is similarly baffling; sounding a little like Talking Heads had kidnapped both the female vocalist from Human League and a glam rock guitarist. The Nashville four piece are making music that absolutely doesn’t fit the mould of what you need to be successful in 2017, and more power to them.

Michael Kiwunuka – Cold Little Heart (Tom Misch Remix) 

Michael Kiwunuka’s Love & Hate was my favourite album of 2016; a real triumph of artistic integrity and coherence combined with beautiful song-writing. The opening track to Love & Hate is Cold Little Heart, a near-1o minute epic that truly sets the tone for what is to come. 2017 has seen the track given some – drastic – cosmetic surgery to get it down to a 3 minute radio version, and a reworking from Tom Misch. I like the way he’s helped to give it a new and slightly more carefree vibe whilst keeping that stupendous voice front and centre.

The Bonus List

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As a special Friday bonus here is the Bonus List – the extension of our weekly A List (posted every Sunday) and another chance to showcase some of the other songs we’re still really liking right now.

[If you’re particularly interested, I set out how it works in last week’s debut; if not, just read on and enjoy the music] 

There are some cracking songs on here; the first seven weeks – or so – of 2017 have been rather kind to music fans. So here we go, here are 11-20 in our current chart.

 

11. The XX – Dangerous (fourth week; up 2) 

A tremendous statement of intent to kick off new album I See You. Every time I hear the opening notes I can’t help but smile at the joys this track – and the album – provide.

12.  Mixhell, Joe Goddard – Crocodile Boots (Soulwax Remix) (third week; down nine) 

A five minute industrial revolution full of dancing percussion samples and snippets.

13. Magana – Pages (new entry)

Twinged with sadness, Pages is the end of a story which seems to have come to an abrupt and not entirely mutual ending.

14. The XX – Performance (third week; up two) 

A heart-dropping, mournful and gripping track that finds The XX back on familiar ground. Romy’s vocals are – as usual – emotional in a way so few other singers can manage.

15. POOLCLVB – Waiting for You (new entry)

Waiting for You sounds very much like the child of the nu-rave scene, with memories of Delphic and Klaxons coming flooding back.

16. Stage Van H – Orange Beach – Marko Melo Remix (fourth week; down four) 

Orange Beach has a top-line that constantly teases you; dangling melodies and noises but withdrawing then before you get too comfortable and drawing your ears and imagination back to its dynamic underbelly.

17. King Gizzard & the Lizard Wizard – Sleep Drifter (new entry)

Sleep Drifter is the musical equivalent of being awake for 48 hours; everything is there but you’re not sure you can piece it all together.

18. Father John Misty – Ballad of the Dying Man (new entry)

On the Ballad of the Dying Man, Father John Misty has found himself back at his mischievous best.

19. Tall Tall Trees – Freedays (third week; down four) 

Sounds like a product of vast and hazy country landscapes, and would comfortably sound at home alongside records by Fleet Foxes and Jonathan Wilson.

20. Tourists – Masquerade (new entry)

Synths, bass, guitars, drums and vocals come together like the five Power Rangers to create a grand and ambitious record that sounds both fresh and vintage.

The Bonus List: Monday 6th Feb

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Introducing the new weekly Bonus List – the extension of our weekly A List that is posted every Sunday – which is another chance to showcase some of the other songs we’re still really liking right now.

As with the A List, these tracks are listed in order of preference. It’s the closest blogging gets to the charts. As with the A List, there is a four week limit for the tracks, so if it has been on the A List for a couple of weeks then it can only stay here for two. Some songs will also come straight into the Bonus List, from either the This Week Playlist or from our Tracks of the Day selections.

These 10 tracks have all features previously on the site and are all – as far as we’re concerned – really very good.

11. Dan Croll – Away From Today

A slightly disorientating indie pop track that could easily have been take from Bombay Bicycle Club’s back catalogue. It plays with the senses a little, never quite settling.

12. Stage Van H – Orange Beach – Marko Melo Remix

Orange Beach has a top-line that constantly teases you; dangling melodies and noises but withdrawing then before you get too comfortable and drawing your ears and imagination back to its dynamic underbelly.

13. The XX – Dangerous 

A tremendous statement of intent to kick off new album I See You.

14. Jaakko Aukusti – What If All Else Fails? 

What if All Else Fails? has all the icy and bare elements of any great Northern European glacial landscape.

15. Tall Tall Trees – Freedays 

Sounds like a product of vast and hazy country landscapes, and would comfortably sound at home alongside records by Fleet Foxes and Jonathan Wilson.

16.The XX – Performance 

A heart-dropping, mournful and gripping track that finds The XX back on familiar ground. Romy’s vocals are – as usual – emotional in a way so few other singers can manage.

17. FREAK – Cake

Loud, thrashy and suitably angry, FREAK hails from Chelmsford,  has bags of talent and kicks off 2017 with a bang.

18. Harlea – You Don’t Get It 

There’s a confidence in Harlea’s emotions – no vulnerability here, it’s part sassy but absolutely certain (YOU don’t get it) – but also a confidence in the song-writing. Nothing is too complicated, nothing is messy; it’s exactly as it should be.

19. Skott – Glitter & Gloss 

Glitter & Gloss is a little bit like eating a chocolate bar that you’ve taken from a communal fridge; it’s sweet and satisfying, but there’s a lurking sense of guilt and troubles to come.

20. Allan Rayman, Jessie Reyez – Repeat  

His voice is extraordinary; it elevates what is a slightly off-kilter r’n’b meets indie pop track into something very compelling.

The A List: 29th January

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Here’s the A List for this week: my favourite 10 tracks at the moment.

Every Sunday I post a new A List,  an insight into what I’m loving right now. There’s a strong dance feel to the list at the moment, with four of the top five representing the genre’s different forms. There are three new entries this week, and one track is celebrating a third week on the A List.

Quite simply, there’s a lot of good music out there right now. It was tough to get it down to 10 tracks this week, so I’ll be posting the B-List tomorrow – the 10 songs just below the A-List – that I’ve christened the Bonus List. I’ll also be posting the This Week Playlist tomorrow, seven tracks that will tickle your ears. I warn you in advance: it’s a strong list this week.

So let’s get to it. Here is this week’s A List:

1. The Black Madonna – He is the Voice I Hear (Non-Mover; 2nd week)

A lot of people are dismissive of dance music. The world of EDM bangers and superstar DJ’s has – over the past few years – led to a perception of formulaic dance-by-numbers tracks. But then every now and then a dance song comes along that completely changes what dance music can be; He is the Voice I Hear is one of those tracks, a rollercoaster ride with strings, jazz piano and disco-influences. It’s a masterpiece, and it rightly stays at number one.

2.  Mixhell, Joe Goddard – Crocodile Boots (Soulwax Remix) (New Entry)

This is a five minute industrial revolution. Full of dancing percussion samples and snippets, the spoken word sections only add to these feeling like it has transported 1980’s electronica and transported it to the future. It’s a fine record, and one I’ve enjoyed every listen of.

3. LOYAL – Moving As One (Non-Mover; 2nd week)

LOYAL’s Moving As One has plenty of layers that span different genres and enough musical ability to bring it together seamlessly.

4. Esther Joy Lane – Ever Ever (Non-Mover; 2nd week)

Ever Ever starts off on familiar terrain for Grimes fans, which is certainly no bad thing. But it then takes a different path; meandering between synth pop, electronica and dance

5. Bonobo – No Reason (Down 3; 2nd week) 

George reviewed Bonobo’s album this week and rightly picked out No Reason as a highlight.  Mournful vocals are matched by elegant electronic touches; it’s a claustrophobic listen that leaves you wanting to curl up in a blanket and hide away from the world.

6. Army of Bones – Don’t Be Long (Down 1; 3rd week) 

I’m still loving this unexpected indie treat. Strong pulsing guitars and a polished melody makes this a fine January listen.

7. The XX – Dangerous (New Entry)

A tremendous statement of intent to kick off new album I See You. I struggle to think of another band who have so effectively stated a change in direction and a stepping-up of their sound as The XX have with Dangerous.

8. The XX – Performance (New Entry)

A heart-dropping, mournful and gripping track that finds The XX back on familiar ground. Romy’s vocals are – as usual – emotional in a way so few other singers can manage; elevated by the strings and stripped back guitar.

9. Dan Croll – Away From Today (Non-Mover; 2nd week)

A slightly disorientating indie pop track that could easily have been take from Bombay Bicycle Club’s back catalogue. It plays with the senses a little, never quite settling. But for the ridiculously abrupt ending, I rather like this.

10. Tall Tall Trees – Freedays (New Entry)

Our Track of the Day on Thursday, this is psychedelic-infused indie folk – with a banjo. It sounds like a product of vast and hazy country landscapes, and would comfortably sound at home alongside records by Fleet Foxes and Jonathan Wilson.

You can listen to all ten tracks here:

Track of the Day: Tall Tall Trees – Freedays

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Tall Tall Trees – Freedays 

Psychedelic-infused indie folk – with a banjo.

I think I can officially feel like I’m a geeky music blog now that I’ve used that particular description. And yet, its entirely accurate.

Freedays is the title track of Mike Savino’s (a.k.a. Tall Trees) album, due in February. It sounds like a product of vast and hazy country landscapes, and would comfortably sound at home alongside records by Fleet Foxes and Jonathan Wilson.

Freedays has a rather wonderful and delicate quality; it’s like trying to recall a childhood memory that, initially it isn’t as strong as it used to be, before it floods back but with some of the finer details still unclear. It feels vintage and old-fashioned; yet reassuringly familiar. A momentary sensation of clarity before it eludes you again.

I’ve listened to this a lot in the past week and I like it very much.