Tag: Stevie Nicks

This Week Playlist (31st January)

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I’m a bit late with this as I meant to post it yesterday, but I wanted to share some of the records that I’m completely loving at the moment. I’ll be back tomorrow with an excellent Track of the Day.

Dua Lipa – Swan Song

For my money, this is the best Dua Lipa song since 2015’s Be The One. From the tribal percussion and vocal snippets, this is a song of defiance and power “this is NOT a Swan Song”.  The lyrics are motivating and heavily influenced by HIV and AIDS activists in the 1980s.

Jenny Lewis – Red Bull & Hennessy 

With a fourth album – On The Line – due out on the 22nd March, Jenny Lewis has returned with her first single in five years. Red Bull & Hennessy is giving me seriously good Fleetwood Mac/Stevie Nicks/Lyndsey Buckingham vibes – possibly with a little dose of Kate Bush thrown in towards the end – which is just about the highest compliment I can give. A really good pop track.

Bonobo – Ibrik

Si Green (aka Bonobo) has crafted his reputation for excellence over several stunning releases. Ibrik is the first track from the forthcoming ‘Fabric Presents Bonobo’ record, due for release on the 22nd February. As you’d expect from Bonobo, it’s full of intricate beats and an excellent melody, but there are so many layers and snippets throughout to tantalise your ears.

The Cinematic Orchestra – A Caged Bird/Imitations of Life

The Cinematic Orchestra’s first release from new album To Believe (due out on the 15th March) is absolutely monstrous. Featuring the unmistakable vocals of long-term collaborator Roots Manuva, A Caged Bird/Imitations of Life is an emotional journey that only gets better with every listen. “Why would you hide from yourself, Belief is here to f‌ind you” Manuva sings, over the soaring sonic landscapes underneath.

Florence + The Machine – Moderation

“Want me to love you in moderation, Do I look moderate to you?”  Florence returns with a cracking single encompassing superb lyrics, a bluesy-pop vibe and her usual stunning vocals. Produced by James Ford, I think this track sounds like an evolution from ideas across all of her previous albums and I’m intrigued to know if she’ll keep following this path.

Foals – Exits 

I’ve blogged before about my excitement for the forthcoming Foals album, and the first single Exits is an intriguing prospect. Returning to the staccato sounds that shaped some of their earlier releases, it’s not the immediate banger that preceded their last two records (Inhaler and What Went Down), rather it’s the sound of a confident band willing to stride off in their own direction.