Tag: Lucy Rose

This Week Playlist (18th March 2019) – 8 cracking new songs to feast your ears on

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An eclectic bunch this week, featuring dance, folk (with a country-twinge), folk without any twinges, several electro-pop tracks and even a bonus garage track. I’ve also got some cracking tracks of the day coming up, so keep your eyes peeled….

Peer Kusiv – Tundra

German music producer Peer Kusiv’s latest EP came out in early February, and this is the title track. Full of shifting sounds – both the bass line and top end melody constantly evolve throughout the track – this is an expansive track that sounds great on headphones in the dark.

Bedouine – When You’re Gone 

Originally hailing from Aleppo, Syria and moving to LA via Saudi Arabia and several US cities, Bedouine has an unorthodox background. When You’re Gone came out earlier this month and it has a folk heart – it brings to mind Kings of Convenience – with snippets of country music thrown in. It’s the kind of track that just washes over you; it feels incredibly sincere and moving, yet never feels overstated.

Rolling Blackouts Coastal Fever – In The Capital 

Aussie rockers RBCF had a monster 2018 as their debut album Hope Downs got a huge amount of critical – and fan – acclaim. In The Capital comes only a few months after their album, and feels less urgent and striking than most of Hope Downs, but in this instance it really works. Catchy guitars and measured vocals are really the recipe for In The Capital.

ViVii – Pick Me Up 

ViVii’s self-titled debut album came out on Friday and Pick Me Up is from that album. This track is really rather beautiful; electronic pop that feels like a dream. It gradually rises into a chorus that explodes into reverie.

Lucy Rose – Treat Me Like A Woman

Lucy Rose is really smashing it out of the park at the moment. Her new album is out on Friday and this is the third track that has been pre-released, and all three have been covered on this blog. Treat Me Like A Women is – as she details in this interview – inspired by personal experiences of sexism, and hits back in the most striking way. The sound may be stripped back, but that allows her voice and lyrics to really shine.

Grand Pax – Lapse 

From the opening note Lapse feels claustrophobic. With a beat in the background that sounds heavily inspired by Darth Vader, the close and dense electronics are matched by the vocals until the chorus, when Grand Pax’s voice is allowed to shine. This doesn’t feel a million miles away from the kind of music that Massive Attack produce.

Art School Girlfriend – Come Back To Me 

The Line of Best Fit did a brilliant piece last week on Margate-based Art School Girlfriend  that is well worth checking out. I blogged recently about how her Into The Blue Hour EP was one of my 2018 favourites, and Come Back To Me is a very assured follow up. More sensual and lustful, there’s loads of little electronic touches that really tantalise the ears.

Wes Thomas – Believe – Tuff Culture Remix 

I don’t think I’ve ever featured a garage track on the blog before, but this remix has taken me back to 1999 with its vibes. I like the fact that the remix isn’t linear, you get a few shifts in direction and melody but the essential bits keep coming back and pleasing the ears.

This Week Playlist: 6 great new songs

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Every week the penguin feeds you 6 new tracks to digest and enjoy. We also have three corking tracks coming up in the next few days, so keep your eyes out…

Lucy Rose – Solo(w) 

Anyone who follows Lucy Rose on Twitter will be familiar with the lyrics to Solo(w), as she’s been posting them for the past few weeks. Her last single was one of our tracks of the day, and the latest single from new album No Words Left (out on March 22nd) is of a similar quality. Heartbreaking and beautiful, it sounds like the end of the night in a jazz club, as you gently sob into your fifteenth martini. It feels like Rose has really found her stride.

Fakear – Nausicaa 

Well this is just an absolute delight for the ears. French producer Fakear has produced a collage of sounds that feel tribal, spiritual, enchanting and uplifting in equal measures. Listening to Nausicaa you’re transported away to a forrest, far from everyday life and surrounded by intrigue.

Maverick Sabre, Jorja Smith – Slow Down 

With a new album – When I Wake Up – out on the 22nd March, Maverick Sabre has returned with a cracking duet. It’s soulful, sultry rich and brimming with chemistry.

Maggie Rogers – Burning 

Rogers released her album Heard It In A Past Life in mid January and Burning is one of the tracks on it. Full of the joy of being in love, Burning combines the quirky dance of acts like Tune Yards and combines it with the power pop that Dua Lipa and others are banging out. It’s a winner.

Grace Carter – Heal Me 

Brighton’s Grace Carter has delivered a rich and textured pop track, big chorus and all. This feels like she’s taken a Sam Smith track and inverted it, with a powerful individuality at its core.

Charlene Soraia – Beautiful People 

I hadn’t heard anything by Lewisham native Charlene Soraia before I stumbled across Beautiful People last week, but I’m now very much looking forward to getting stuck into the album and I’ll be keeping a close eye out for future work. This track is simple, comprising only vocals and guitar, but it haunts you with it’s refrain of ‘I can’t keep on like this’.

 

 

 

 

The A List – the best 10 new music tracks around right now (January 27th 2019)

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Four excellent new entries on this week’s A List, including a third number one in three weeks. This week also features the final appearance from four strong tracks, as they’ve reached the three week limit. 2019 has blessed us with plenty of excellent new music so far, but you should really be prioritising these tracks…

1. James Blake, ROSALIA – Barefoot In The Park [New Entry]

There’s something magical about the track. It feels so enticing, but never quite real. You don’t want to move in case the spell is broken. Emotionally it first feels joyous, but there’s a lurking edge of darkness that creeps into the corner of your eye.

2. Lana Del Rey – hope is a dangerous thing for a woman like me to have – but I have it [Final week]

A profoundly moving five minutes; from self-doubt to abuse to isolation, any song that has Sylvia Plath at its core will undoubtedly veer from weirdness to unimaginable suffering.

3. Me & My Toothbrush – Just Release Me [New Entry]

A supremely catchy dance track that builds and dips, the guitars keep it bopping along and the vocals sound properly old school.

4. Billie Eilish – WHEN I WAS OLDER [Final week]

Full of eery distorted vocals and minimalistic electronic production that combine to create a haunting tone that is really hard to shake off.

5. Lucy Rose – Conversation 

Conversation is full of atmosphere with some beautiful strings. Simple and yet hard-hitting, there’s an air of strength and finality surrounding the delicate vocals.

6. Goldie, James Davidson, Subjective – Rift Valley [Final week]

A track that is best played in the dark. It’s like you’re dreaming after smoking pot. Everything feels captivating yet entirely elusive. The album also became available on streaming platforms this week.

7. Fat White Family – Feet [New Entry]

Fat White Family have returned with their first single since 2016. Feet is dark, danceable and downright impressive. With it’s haunting melody, orchestral flourishes and driving percussion, it brings to mind  a marriage of Woodkid and the True Detective theme song.

8. Sam Smith, Normani – Dancing With A Stranger [Final week]

A devastatingly simple pop track full of regrets. Sam Smith does heartbreaks better than almost anyone, and the simple production on Dancing with a Stranger leaves the listener to drown in the guilt and misplaced anger of a rebound one night stand.

9. Mindchatter – Trippy [New Entry]

Trippy is probably the most apt song title of the year so far. This track has some wonderful production throughout, taking modern hip hop and r’n’b production, inverting it and giving it a low key vibe.

10. Hot Flash Heat Wave – Sky So Blue 

Sky So Blue is a lazy summer afternoon in a park, drifting off into reverie through the sheer fatigue of doing nothing at all. It’s a cocktail of synths, psychedelia and sunshine. Lots of sunshine.

 

The A List – the best 10 new music tracks around right now (January 20th 2019)

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Three new entries this week and a new number 1 for the A List. 2019 has already produced some incredible new music, but you should really be prioritising the following tracks…

1. Lana Del Rey – hope is a dangerous thing for a woman like me to have – but I have it 

Pitchfork had an interesting article looking at some of Lana’s recent work this week that I recommended checking out.  hope is a dangerous thing (etc) grows on me with every listen. The lyrics are hard to digest and yet essential listening. A profoundly moving five minutes; from self-doubt to abuse to isolation, any song that has Sylvia Plath at its core will undoubtedly veer from weirdness to unimaginable suffering.

2. Billie Eilish – WHEN I WAS OLDER 

Down one place this week, WHEN I WAS OLDER is full of eery distorted vocals and minimalistic electronic production that combine to create a haunting tone that is really hard to shake off.

3. Lucy Rose – Conversation [New Entry]

Conversation is full of atmosphere with some beautiful strings. Simple and yet hard-hitting, there’s an air of strength and finality surrounding the delicate vocals.

4. Goldie, James Davidson, Subjective – Rift Valley 

A track that is best played in the dark. It’s like you’re dreaming after smoking pot. Everything feels captivating yet entirely elusive. The album also became available on streaming platforms this week.

5. Sam Smith, Normani – Dancing With A Stranger 

A devastatingly simple pop track full of regrets. Sam Smith does heartbreaks better than almost anyone, and the simple production on Dancing with a Stranger leaves the listener to drown in the guilt and misplaced anger of a rebound one night stand.

6. Hot Flash Heat Wave – Sky So Blue [New Entry]

Friday’s Track of the Day, Sky So Blue is a lazy summer afternoon in a park, drifting off into reverie through the sheer fatigue of doing nothing at all. It’s a cocktail of synths, psychedelia and sunshine. Lots of sunshine.

7. D’Angelo – Unshaken 

Written for the Red Dead Redemption 2 soundtrack, Unshaken certainly conjures up the feelings of a western with its sparse production and solitary feel, and D’Angelo’s vocals sound superb in this lower range.

8. Chaka Khan – Hello Happiness 

Hello Happiness is a burst of energy, with a bass line straight from the 70s, electro vibes that belong in the 80s and a vocal performance that is positively timeless.

10. Catfish and the Bottlemen – Longshot 

Produced by Jacknife Lee (R.E.M., the Killers, U2), Longshot has a distinctly British optimism running through it, almost like they can’t believe something has succeeded. “Fiver says you’re wrong…”

10. Emily Brimlow – Hope [New Entry]

I don’t know if Emily Brimlow falls firmly into the ‘Christian music’ category, but it’s nice to hear a well-produced pop track speaking optimistically about God. The minimal r’n’b drum track leaves plenty of space for Brimlow’s voice and the really beautiful choral backing vocals to shine. This song is full of optimism and catchy as hell.

Track of the Day: Lucy Rose – Conversation

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Lucy Rose – Conversation

29 year old singer-songwriter Lucy Rose has released Conversation, the first track off her forthcoming fourth album No Words Left, due for release on the 22ndMarch.

The track is both simple and hard hitting. Full of atmosphere with some beautiful strings, there’s an air of strength and finality surrounding the delicate vocals.

The general story of the track is rather neatly encapsulated in two lines of lyrics:

“No-one loves me quite like you do
But no-one lets me down like you do”

Conversation reminds me a little of Laura Marling and has certain whet my appetite for the album.

Check it out here:

 

This Week: 8 fresh songs to tickle your ears

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Our Tuesday begins with the This Week Playlist, some new songs that we’ve heard a couple of times and feel need a wider audience.

It’s a bumper edition this week: one of the songs was meant to be a Track of the Week last week but I ran out of time to post it. There’s also been some really interesting releases out this week, with – yet more – pretty impressive R ‘n’ B tracks.

So here it is. Enjoy. Let the music tickle your ears.

Tall Tall Trees – Being There

We’ve featured Tall Tall Trees before on the blog, and he released his album Freedays in February. Being There is a slightly different sound to former Track of the Day Freedays; I think this sounds more like an upbeat indietronica track with a Kings of Leon style chorus.  The psychedelic infused indie folk of Freedays does make a reappearance towards the end, in – my favourite section of the track – the playful breakdown that keeps meandering off in different directions.

NoMBe – Young Hearts

This was meant to be a Track of the Day last week but time escaped me. However I very much wanted to post it, if for no other reason than this track continues to elude my categorising brain. Young Hearts is an unusual track; it could easily be classified as electro pop or r ‘n’ b. But its most baffling element is that – despite its title, luscious guitars, sensual synths and falsetto vocals – it’s a weirdly asexual track. It’s a little like watching your auntie twerk at a party (sorry about that); in different hands this could have been a sexy affair. I like this track in part because it defies my expectations I’ve yet to work out how all the pieces come together.

Allan Rayman – Shelby Moves

I’ve written more than enough about Allan Rayman for one week. I’ve been loving his dark and intriguing new album Roadhouse 01 and Shelby Moves is one of the highlights from it. Pointed lyrics, lurking, ominous beats and some awesome shifts in direction, this song beautifully captures Rayman’s unique selling points. In his recent interview with Billboard, Rayman picked out this track as the one he most connects with:

Are there any songs that you’re particularly close to?

AR: “Shelby Moves.” It explains why I haven’t been doing many interviews and haven’t been all over social media; at the end of the day, I think fans build up these crazy ideas of celebrities or musicians or the people they’re listening to and watching and I think there’s a really dark undertone to that fandom and celebrity-ness. So “Shelby Moves,” I think, explains that at the end of the day. I’m a pretty average dude with a pretty boring story, but I can write some songs and I’m very creative — but I’m not going to wow you with my background. I often, especially recently when I’m at home, am wondering, “Why is this becoming so successful?” Because at the end of the day, I would say I’m just a regular dude, so why me? I still haven’t really figured it out.

R I T U A L – Drown The Lovers

Another sparse r’n’b inspired track with elements of hip hop, this time from London-based group RITUAL . On Drown The Lovers, the minimalist backing track allows the delicate and emotional vocals to flourish. Add in an impressive chorus that’s very much in keeping with the understated but stirring vibe, and you’ve got a pretty impressive track.

Lucy Rose, The Staves – Floral Dresses

I discovered Lucy Rose through her work with Bombay Bicycle Club – who I seem to be mentioning a lot on the blog recently; I think I’m missing them – and her obvious musical charm shines through on Floral Dresses. Nailing the gentle, minimalist folk sound that Laura Marling has perfected, Floral Dresses seems to hark back to some childhood tensions, seemingly with some female authority figure. As she sings: ‘I don’t wanna wear your floral dresses, And my lips won’t be coloured, I don’t want your diamond necklace
Your disapproval cuts through.’ 
GLASS – Vulnerable

London-based duo GLASS provide this week’s dose of electro-pop. With an incredibly catchy synth part running throughout the track, the stark contrast between what sounds like a heavier Keane style backing track and vocals that sing ‘Oh she’s vulnerable, really shouldn’t be alone’ leave an intriguing aftertaste.

Savoy Motel – Western Version Boogie

Savoy Motel caught my attention in the second half of 2016 with Sorry People, one of the most ill-fitting singles of the decade. Western Version Boogie is similarly baffling; sounding a little like Talking Heads had kidnapped both the female vocalist from Human League and a glam rock guitarist. The Nashville four piece are making music that absolutely doesn’t fit the mould of what you need to be successful in 2017, and more power to them.

Michael Kiwunuka – Cold Little Heart (Tom Misch Remix) 

Michael Kiwunuka’s Love & Hate was my favourite album of 2016; a real triumph of artistic integrity and coherence combined with beautiful song-writing. The opening track to Love & Hate is Cold Little Heart, a near-1o minute epic that truly sets the tone for what is to come. 2017 has seen the track given some – drastic – cosmetic surgery to get it down to a 3 minute radio version, and a reworking from Tom Misch. I like the way he’s helped to give it a new and slightly more carefree vibe whilst keeping that stupendous voice front and centre.