Tag: Julia Jacklin

The A List (24th March 2019) – the ten best new music tracks right now

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No change at number 1 this week but five new entries, which isn’t that surprising given four tracks reached their time limit last week. Rasharn Powell continues to sound immaculate, but the Jamie Jones/Teddy Pendergrass track is an early contender for dance track of the year.  We lose only one track this week due to the three week time limit, the excellent Pressure to Party by Julia Jacklin. 

1. Rasharn Powell – Warm In These Blue Jeans 

Everything in Warm In These Blue Jeans oozes class and style. The laid-back groove kicks in immediately, the silky smooth vocals follow. There’s some lovely electronic touches and counter vocals, and the chorus feels majestic. “If I had wings, I would touch the sky” he sings, and we can feel ourselves soaring with him. The extended outro is also a winner.

2. Teddy Pendergrass – Life Is A Song Worth Singing (Jamie Jones Remix) [New Entry]

Tuesday’s Track of the Day, this is a truly wonderful remix that can brighten up any day. Every time I listen to it I end up smiling and wanting to dance. It starts with the teasing synths, but from there it throws in all sorts of wildcards. Teasing hi-hats, cowbells, trumpets. They all make an appearance. And the vocals help to keep the track grounded whilst all the chaos happens around them.

3. The Twilight Sad – Girl Chewing Gum [New Entry]

Wednesday’s Track of the Day and from the album I reviewed this week, this track has really stayed with me. Lyrically it uses the same lines on repeat, but when you consider what those lines say, it really hits home. These are accompanied with swirling guitars and feedback, which provide the unsettling backdrop. The slightly shouty chorus is accompanied by a guitar part that viciously cuts through the record and into your soul. Even the hint of solace after the chorus is snatched away as the track becomes claustrophobic.

4. Lily Byrd – Don’t Move 

From her Number EP released in January, New Hampshire’s Lily Byrd does something rather magical with Don’t Move. It is simultaneously familiar, sad, and hypnotic. The gentle strumming of the guitar and soft vocals are beautiful, but the distorted saxophone (at least I think its a sax) keep disturbing the slumber of the track, the paralysis of sadness that the song speaks of. “Hypnotised by a lack of love” she sings at the end, and you realise you’re living every heartbeat with her.

5. Julia Jacklin – Pressure to Party [Final Week]

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice.

6. James Supercave – Alarm Will Sound 

Gentle sweeping electronics, a pace that feels gentle but is deceptively quickening, vocals that feel a little jarring until you realise how perfect they are. This is a really solid effort, superbly catchy and a very welcome return.

7. The Chemical Brothers – We’ve Got To Try

With a stunning return to form, We’ve Got to Try sounds like an old soul record that has been bastardised (in a good way), because that’s exactly what it is. Taking The Halleluiah Chorus’s I’ve Got To Find A Way and giving it some electronic rocket boosters, this is a very funky track that sounds like they’re dipping into some of their earlier works.

8. Peer Kusiv – Tundra [New Entry]

German music producer Peer Kusiv’s latest EP came out in early February, and this is the title track. Full of shifting sounds – both the bass line and top end melody constantly evolve throughout the track – this is an expansive track that sounds great on headphones in the dark.

9. Tones and I – Johnny Run Away [New Entry]

Tones and I is a singer hailing from Byron Bay Australia and this is her debut release. The song was inspired by her best friend coming out to his dad when he was younger, and in Johnny Run Away she speaks of young love and the negative reaction that receives from those that are meant to love unconditionally. I don’t know whether the title is a reference to the classic Bronski Beat track Smalltown Boy, but it certainly deals with the same theme of a young man feeling isolated by his sexuality.

10. Grand Pax – Lapse [New Entry]

From the opening note Lapse feels claustrophobic. With a beat in the background that sounds heavily inspired by Darth Vader, the close and dense electronics are matched by the vocals until the chorus, when Grand Pax’s voice is allowed to shine. This doesn’t feel a million miles away from the kind of music that Massive Attack produce.

The A List (17th March 2019) – the ten best new music tracks right now

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A new number one this week, and it’s a good one too. Everyone I’ve played it to has fallen in love. It’s ably supported by four other new entries that are well worth your time. We say goodbye to four tracks in the A List this week, as Simon Curtis, James Blake, Dave and the Four Tet Remix of Headie One (which keeps getting better with every listen) all reach the three week limit. 

1. Rasharn Powell – Warm In These Blue Jeans [New Entry]

An absolute knock out. Everything in Warm In These Blue Jeans oozes class and style. The laid-back groove kicks in immediately, the silky smooth vocals follow. There’s some lovely electronic touches and counter vocals, and the chorus feels majestic. “If I had wings, I would touch the sky” he sings, and we can feel ourselves soaring with him. The extended outro is also a winner.

2. Lily Byrd – Don’t Move [New Entry]

From her Number EP released in January, New Hampshire’s Lily Byrd does something rather magical with Don’t Move. It is simultaneously familiar, sad, and hypnotic. The gentle strumming of the guitar and soft vocals are beautiful, but the distorted saxophone (at least I think its a sax) keep disturbing the slumber of the track, the paralysis of sadness that the song speaks of. “Hypnotised by a lack of love” she sings at the end, and you realise you’re living every heartbeat with her.

3. Headie One (featuring Dave) – 18Hunna (Four Tet Remix) [Final Week]

Gentle jangles and echoed vocals set the tone at the beginning, and it just unfurls from there. The vocals flow smoothly and there’s even room for some birdsong in there.

4. Simon Curtis – Love [Final Week]

This tracks starts off sounding like The Weeknd but then Love develops an 80s pop obsession and as a wave of synths floats across the track we end up with a hybrid between those two sounds.

5. Dave – Black [Final Week]

Fresh off a number one album in the UK, Dave’s Black is a hugely impressive exploration of racial identity.

6. Julia Jacklin – Pressure to Party 

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice.

7. James Supercave – Alarm Will Sound [New Entry]

Gentle sweeping electronics, a pace that feels gentle but is deceptively quickening, vocals that feel a little jarring until you realise how perfect they are. This is a really solid effort, superbly catchy and a very welcome return.

8. The Chemical Brothers – We’ve Got To Try [New Entry]

With a stunning return to form, We’ve Got to Try sounds like an old soul record that has been bastardised (in a good way), because that’s exactly what it is. Taking The Halleluiah Chorus’s I’ve Got To Find A Way and giving it some electronic rocket boosters, this is a very funky track that sounds like they’re dipping into some of their earlier works.

9. James Blake, Andre 3000 – Where’s The Catch [Final Week]

With its unsettling, murky piano and deep beat, it questions whether the love and joy that Blake is experiencing is too good to be true.

10. Makthaverskan – Demands [New Entry]

Maja Milner’s vocals make this track. There’s plenty of urgency in the musicianship, but it’s her voice that defines the song and lets it soar and sweep down. There’s something slightly chaotic and punky in the track, despite the jangly guitars. Great stuff.

The A List (10th March 2019) – the ten best new music tracks right now

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Last week’s strong top three trade positions with Simon Curtis rising to the number 1 spot. It is incredibly hard to separate it from the James Blake and Dave tracks, which are both great. Four new entries make this week’s A List, and we have two tracks on their third and final week. Enjoy! 

1. Simon Curtis – Love 

This tracks starts off sounding like The Weeknd but then Love develops an 80s pop obsession and as a wave of synths floats across the track we end up with a hybrid between those two sounds; modern r’n’b influenced pop, and 80s pop with wispy backing vocals and programmed drums.

2. James Blake, Andre 3000 – Where’s The Catch 

With its unsettling, murky piano and deep beat, it questions whether the love and joy that Blake is experiencing really has a catch; whether it’s too good to be true. For anyone who isn’t known to be wildly positive – which I think is a category we can classify Blake in, given his previous releases – it’s an understandable and relatable feeling.

3. Dave – Black

Brixton-born rapper Dave is releasing his debut album on the 8th March and Black is the first single from it. It’s a hugely impressive exploration of racial identity and the lyrics are well worth considering in full. 2019 may just be his year for the taking.

4. Julia Jacklin – Pressure to Party [New Entry]

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice.

5. Headie One (featuring Dave) – 18Hunna (Four Tet Remix) 

There’s almost nothing urgent in the music. Gentle jangles and echoed vocals set the tone at the beginning, and it just unfurls from there. There’s a beat in the background, but it’s a gentle ‘nod your head’ rather than a knock your socks off beat. The vocals flow smoothly and there’s even room for some birdsong in there.

6. G Flip – Killing My Time [New Entry]

This song is just effortlessly cool. The vocals are gorgeous, and whoever produced it was wise enough to make sure they stay front and centre, but there’s some nice production touches in the background. Superbly catchy, this is pop music that you can just sit back and enjoy.

7. Chaka Khan – Like a Lady [Final Week]

Like a Lady’s production is on point. Plenty of retro vibes without feeling in any way dated; in fact this takes a funky disco sound and makes it feel like it’s totally 2019. But the reason the Penguin loves this track is quite simply because it is full of joy.

8. ROMANS – Be Fine [Final Week]

Beautiful vocals mask the depths of angst and sadness in the lyrics, this is an absolutely cracking record.

9. Yuksek – I Don’t Have A Drum Machine [New Entry]

French producer Yuksek has put together an absolute knockout of a tune with I Don’t Have A Drum Machine. It’s an upbeat disco track that effectively narrates you through its own production. Fun, retro and extremely catchy, it absolutely makes you want to dance.

10. Sigrid – Sight of You [New Entry]

A joyful four minutes of pop that could easily have been pinched from a musical. Monstrous strings swoop across the landscape, as the lyrics tell the tale of daily tribulations (“The airline lost my luggage, still got all this weight”) being overcome by the mere sight of her love.

Track of the Day: Julia Jacklin – Pressure To Party

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Julia Jacklin – Pressure to Party

Australian singer-songwriter Julia Jacklin recently released her second album Crushing and Pressure To Party comes from that record. It’s a tale of coming out of a failed relationship, and how you feel forced to act in certain ways.

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice. Take the first four lines:

Pressure to party, gonna stay in
Nothing good can come from me drinking
I would run, shoes off, straight back to you
I know where you live, I used to live there too

The Penguin was so impressed he sent it to a friend who lives close to the Antarctic (South London) and he – unusually – responded with an excellent review, which is probably better than anything I can write. He said:

This is great btw, lyrically so engaging and the juxtaposition between the upbeat music and the very much less so lyrics just makes it all the more intriguing. Ironically I’d imagine plenty of people will miss the lyrical content and take it as an upbeat ode to partying.

A really great track and I can’t wait to tuck into the album.

Enjoy!