Tag: IDLES

This Week Playlist

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After a few weeks off, here is the latest This Week Playlist, ten songs that are tickling our ears right now and are primed and ready for you to enjoy:

1. Kendrick Lamar – The Heart Part 4

So I confess that I don’t share the adoration for Kendrick’s work that seems obligatory for music fans in 2017. I’ve liked plenty of his work, but his status as – in his own words – the greatest rapper alive has eluded me so far. However when friend-in-exile Miceal (who I think may have given up his Catholic faith to follow the religion of Kendrick instead) messaged last Friday to say that The Heart Part 4 had dropped, I was excited to hear it. It chops and changes in style, and certainly suffers from the braggadocious spirit that blights a lot of hip hop, yet spending a few minutes with the lyrics of this track is hugely rewarding.

The whole world goin’ mad

Bodies is adding up, market’s about to crash

Niggas is fake rich, bitches is fake bad

Blacks that act white, whites that do the dab

Donald Trump is a chump, know how we feel, punk

Tell ’em that God comin’

And Russia need a replay button, y’all up to somethin’

 

2. Gorillaz, Vince Staples  – Ascension

If you’re not a fan of the Gorillaz then it might be best you skip this blog for a few months. They’re one of those bands for me: an act that can go in any new direction and make it seem like it was the perfect choice. They combine hip hop, pop and indie in a way few other bands have ever managed, and with a new album on the way, it promises to be a big few months for them. On Ascension they’ve recruited one of the most exciting men in music Vince Staples for vocal duties. The result ends up sounding like a space age gospel infused pop track; it’s a little bonkers but that’s the fun of it.

 

3. Drones Club – Hurricane

Drones Club produced two of my favourite songs of 2016 and have delivered yet another stunning record. Straddling the fence between dance and indie, the electronic chorus soars into the sky. Every listen feels familiar – it’s rooted in an early 90s baggy feel – and yet it feels absolutely fresh. I cannot wait for them to deliver an album.

 

4. HVOB – Deus

I only discovered Austrian dance duo HVOB (Her Voice Over Boys) recently but I’ve been impressed with that I’ve heard. Deus starts slowly, repetitive vocals coiled around intimidating synths; then the beat drops. I love dance music that is simple yet oh so effective, and Deus is absolutely from that mold. It conjures up feelings of space travel and loneliness; danger and claustrophobia. I like this more with every listen.

 

5. IDLES – Exeter

I blogged only this morning about seeing IDLES recently and Exeter was a massive highlight of their set. It’s full of anger and contempt; the frustration of growing up and living in a place where ‘nothing ever happens’. It somehow combines the sort of lyrical topic The Streets reveled in, matched by a raw punk aggression and elevated by a chorus that seems to satirize Britpop.

 

6. Honey Tower – Couture

Couture is the sort of industrial electro that would have been at home in the soundtracks of either the Matrix or – for those who remember it – Hackers. It’s a pretty bad ass track; rumbling, robotic and firmly underground in its sensibilities. This is my first exposure to Honey Tower, but I’ll be keeping an eye out for the German’s future works.

 

7. Sun Lil Moon – Bergen to Trondheim

This is a song that skirts ever so close to being beyond the pale. Maybe I’ve listened to far too much Father John Misty, but to my ears this is one of the darkest, sarcastic and satirical songs I’ve heard in a very long time. It seems ever so much like Sun Lil Moon has had enough of celebrities and Twitter culture and their immediate – obvious, and poorly-considered – reactions to sad events as they globe-trot around the world. Complete with canned cheering and a refrain of “Me, we, me, we, me, we, me, we” I’m still struggling to come to terms with the boldness.

 

8. Father John Misty – Total Entertainment Forever

The joy of FJM is the numerous layers through which you can appreciate his work. There is the melody; Total Entertainment Forever is a catchy pop song with a familiarity that comes from a sound that has produced countless hits before; it’s sure to leave foots tapping. Yet then there’s the lyrics, and the biting take down of modern life. Then there’s the motivation, and the questions over where observation ends and sarcasm, satire and provocation begins. He is, for my money, one of the most important song-writers around at the moment and – with his new album out next week – we should all be excited.

 

9. Billie Eilish – Bellyache

I’ve been wanting to post this for a few weeks. The outrageously young Billie Eilish has delivered a stunning piece of electro pop that seems to be about, well… murder. From the stunning production to the simple yet oh-so-effective vocals (a la Lorde) Bellyache is just a joy from start to finish.

 

10. HalfNoise – French Class

HalfNoise is Zac Farro, formerly the drummer in Paramore. French Class is from his recent The Velvet Face EP and combines indie sensibilities with a sunny uplifting – slightly disco-y – sound.

 

Ramblings: on blogging, The XX, IDLES and Secret Cinema (Moulin Rouge)

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There were four things I feared when I started Astralpenguins:

  1. I wouldn’t enjoy writing it
  2. People would react negatively to such a weird collection of music
  3. I’d run out of music that I liked and therefore end up plugging music I wasn’t that keen on
  4. I’d run out of time/energy to keep it updated.

Well the fourth of those concerns came about around the middle of March. Work, personal admin and commitments conspired to take my time away. It wasn’t that I didn’t have time to write the blog, it was that I didn’t have time to listen to music at all.

And yet, here I am. On the other side of a strange couple of weeks. I’ve had a blog post in my mind for a fortnight that I don’t really feel is worth writing in full anymore, but it revolved around two gigs I went to – with Gig buddy Matt – on consecutive nights.

The first was seeing The XX at one of their Brixton shows, absolutely smashing it. It was a total pleasure from start to finish watching that band – a band that I’ve loved since I first heard them on the radio around 7 years ago – stand triumphant in front of their hometown crowd.

I have to be honest, I was on such a high from The XX that I feared for the following night’s acts. I even considered not going. But boy am I glad I did. First, some history: one of the ways I check out new bands is from the email lists of various venues I like; they email out a list of acts who are playing soon and then I listen to the music of the bands I haven’t heard of before.

Back in the summer of 2015 I received an email from Hoxton Square Bar & Kitchen advertising a band called IDLES. They had one EP on Spotify, and it was – from memory – pretty solid indie rock. Tickets were c. £5 and I thought ‘why not?’ – I even persuaded Gig Buddy Matt to come along. We were in for a surprise…

The band had somewhat changed their sound since that EP, eschewing indie sensibilities for a considerably more brutal punk sound. The audience was sparse – probably around 40 of us – and the band were intimidating. They looked like they’d be cobbled together in some sort of prison rehabilitation programme; all pent-up rage channelled – mostly – through their instruments. The lead singer jumped off the stage and paced around the audience, who visibly recoiled.

They were, in short, rather brilliant. The kind of band you need to see; full of eccentricities and chemistry, yet always bordering on an explosion. They were supported on that night by a 2 piece called John (which, they helpfully point out, is a terrible name for a band, as you can’t find them on Google). I’m delighted we spent the £5 – it’s one of those gigs we still talk about with joy and laughter.

And then late last year, something unexpected happened. Radio 1 started championing IDLES. They were getting radio play, invited in for live lounge performances … it gave them a level of exposure they’d previously lacked. And so they returned to London (Moth Club) a couple of weeks ago – once again supported by the once again excellent but totally un-google-able John) with a considerably bigger crowd.

What hadn’t changed is their spirit. The punk ethos, the chaotic live show, the humour… it was there. They were fantastic. If you haven’t seen them, don’t hesitate. This is a band who have worked incredibly hard to get themselves to this stage, and their live show is, right now, one of music’s most provocative experiences.

That was two weeks ago. Then things in my life intervened (see above). Then someone attacked the place I work, killing a policeman and four others, and injuring dozens more.

I haven’t mentioned I work in Parliament on the blog before because it isn’t relevant to the music or anything else I’m going to write about. I am reluctant to mention it now; because nothing that happened last week was about me and there are families grieving who deserve to have their loved ones at home; who were robbed of their joy by an abominable act. My heart goes out to them and I’m profoundly moved by those who came to help the injured and suffering last week.

But – as this is a music blog – I wanted to say one thing about it. Music is usually my escape from things, the place I go to for joy. Events last week left me wanted to skip music for a little while. I didn’t want to escape from the world; I wanted to come to terms with what had happened so that – like thousands of others who work in Westminster – I could, in some way, accept it and move on.

And here I am. Finding my feet again in the blogging world and hoping you’ll forgive the absence.

There is one other thing I wanted to mention from the past week. My favourite film in the world is Moulin Rouge (closely followed by Die Hard) and at the moment in London an organisation called Secret Cinema are hosting their version of screenings of the film. Essentially Secret Cinema try to recreate the magic and ethos of the film by bringing elements of it to life. My other half bought me tickets for one of their screenings (performances?) for Christmas, and we excitedly went along last Sunday.

I’m loathe to write anything resembling a review of the night, but the top line is that I thought the whole thing was atrocious. Lacking creative direction, artistic merit or a sense of how to add value to something that is already pretty much perfect, it is one of the worst cultural experiences I’ve had in London. I can only suggest – if you are thinking of going – that you avoid it. Better to sit at home and watch the film; it’s better than the second rate am-dram drivel you’ll experience at the Secret Cinema experience, and it’ll save you from shelling out for the ridiculously overpriced tickets, drinks, food and costume.

Anyway, that’s enough for now. Back soon – and I promise to stick to music from now on.

The missing This Week Playlist

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As explained here, I didn’t post the This Week playlist last Monday, despite having it ready. However, in the interest of full disclosure, here are the ten tracks I’ve been listening to on repeat this week.

1. Jamiroquai – Automaton 

What an extraordinary return. An electro pop masterclass with euphoria, menace, and a playful 90’s pop-meets-hip hop breakdown. I’m not sure anyone realised the world needed a Jamiroquai return, but Automaton sounds as fresh and innovative as anything released so far in 2017.

2. Parcels – Allaround

This was nailed on to be one of my tracks of the day. Taking beautiful vocals that sound like they’ve been borrowed from Kings of Convenience, layering them onto a track that plays with disco and funk – a la Jungle – and delivering some stunning musicianship along the way. Parcels have released a steady series of hugely impressive singles, and this is my favourite so far.

3. Rationale – Reciprocate 

Back in 2015 I fell in love with The Mire, a track from Rationale’s Fuel to the Fire EP. I’ve kept an eye on his stuff since then and Reciprocate finds him back on form; a rich and distinctive voice elevates this r’n’b track.

4. Priests – Jj

A post-punk quartet, Priests have delivered their second single from new album Nothing Feels Natural. It’s like being trapped in the getaway car from a bank robbery in the wild west: country-twinged, all action, energy and attitude.

5. Tiga – Eye Luv U

Canadian DJ and producer Tiga has a pretty stunning back catalogue, creating some of the most innovative of off-beat electro bangers. The ridiculously titlted Eye Luv U finds all of his favourite hallmarks, an infectious beat, weird and slightly off-kilter vocal snippets and a playful approach to melody.

6. IDLES – Stendhal Syndrome

IDLES are one of my favourite up-and-coming bands. Back in August 2015 I saw them in London and, for lack of a better word, it was frightening. Delivering aggressive post-punk, these Bristolians are gearing up for another tour and possibly world domination. Stendhal Syndrome is brash, loud and hilarious.

7. Brett Gould – Say It Loud

East London DJ and producer Brett Gould has been steadily releasing great tracks over the past eighteen months. Say It Loud is surely designed for a small, sweaty club with a good sound system at 4am; it’s all about the menace lurking in the bass lines.

8. Skott – Glitter & Gloss 

Scandinavian pop songstress Skott would – had the blog existed – been one of my tips for 2017. Since her debut single around seven months ago she’s released some stunning pop tracks; Glitter & Gloss is a little bit like eating a chocolate bar that you’ve taken from a communal fridge; it’s sweet and satisfying, but there’s a lurking sense of guilt and troubles to come.

9. Allan Rayman, Jessie Reyez – Repeat

Gig-buddy Matt sent me a Jessie Reyez track late in 2016 that I liked very much. However I’d never heard of Allan Rayman, and the first google hit is ’10 Reasons Why Allan Rayman Is The Most Mysterious Man in Music’, which is good work. His voice is extraordinary; it elevates what is a slightly off-kilter r’n’b meets indie pop track into something very compelling.

10. Husky Loops – Fighting Myself

Rock and roll newcomers Husky Loops offer an intriguing and eccentric new single in Fighting Myself. This track is a spring of menace and insecurity wound way too tight; it’s initially menacing – with traces of art rock – before building to a frantic and thrilling finish. I’m seeing these guys this week and I’m hugely excited to see what they do live.