Tag: Four Tet

Track of the Day: Mathame – Skywalking

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Mathame – Skywalking

Italian brothers Amedeo and Matteo Giovanelli are better known as Mathame, and their latest single is ready to tear dance floors up.

Skilfully walking the line between earphone pleasure and crowd pleaser, Skywalking starts by building slowly. You get a good beat instantly, followed by some hi hats, but there’s a murky texture, with teasing sounds rumbling in and out for the first minute. It then starts to take off, like a young bird unsure how to fly for the first time, it stutters and teases and grows in confidence for nearly 90 seconds. And then we are off…

From a similar mould to Four Tet’s remix of Opus, Skywalking eschews the standard ‘big drop’ trope so familiar to dance music, and instead takes the listener on a journey through the clouds. Impressive work indeed.

The A List (17th March 2019) – the ten best new music tracks right now

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A new number one this week, and it’s a good one too. Everyone I’ve played it to has fallen in love. It’s ably supported by four other new entries that are well worth your time. We say goodbye to four tracks in the A List this week, as Simon Curtis, James Blake, Dave and the Four Tet Remix of Headie One (which keeps getting better with every listen) all reach the three week limit. 

1. Rasharn Powell – Warm In These Blue Jeans [New Entry]

An absolute knock out. Everything in Warm In These Blue Jeans oozes class and style. The laid-back groove kicks in immediately, the silky smooth vocals follow. There’s some lovely electronic touches and counter vocals, and the chorus feels majestic. “If I had wings, I would touch the sky” he sings, and we can feel ourselves soaring with him. The extended outro is also a winner.

2. Lily Byrd – Don’t Move [New Entry]

From her Number EP released in January, New Hampshire’s Lily Byrd does something rather magical with Don’t Move. It is simultaneously familiar, sad, and hypnotic. The gentle strumming of the guitar and soft vocals are beautiful, but the distorted saxophone (at least I think its a sax) keep disturbing the slumber of the track, the paralysis of sadness that the song speaks of. “Hypnotised by a lack of love” she sings at the end, and you realise you’re living every heartbeat with her.

3. Headie One (featuring Dave) – 18Hunna (Four Tet Remix) [Final Week]

Gentle jangles and echoed vocals set the tone at the beginning, and it just unfurls from there. The vocals flow smoothly and there’s even room for some birdsong in there.

4. Simon Curtis – Love [Final Week]

This tracks starts off sounding like The Weeknd but then Love develops an 80s pop obsession and as a wave of synths floats across the track we end up with a hybrid between those two sounds.

5. Dave – Black [Final Week]

Fresh off a number one album in the UK, Dave’s Black is a hugely impressive exploration of racial identity.

6. Julia Jacklin – Pressure to Party 

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice.

7. James Supercave – Alarm Will Sound [New Entry]

Gentle sweeping electronics, a pace that feels gentle but is deceptively quickening, vocals that feel a little jarring until you realise how perfect they are. This is a really solid effort, superbly catchy and a very welcome return.

8. The Chemical Brothers – We’ve Got To Try [New Entry]

With a stunning return to form, We’ve Got to Try sounds like an old soul record that has been bastardised (in a good way), because that’s exactly what it is. Taking The Halleluiah Chorus’s I’ve Got To Find A Way and giving it some electronic rocket boosters, this is a very funky track that sounds like they’re dipping into some of their earlier works.

9. James Blake, Andre 3000 – Where’s The Catch [Final Week]

With its unsettling, murky piano and deep beat, it questions whether the love and joy that Blake is experiencing is too good to be true.

10. Makthaverskan – Demands [New Entry]

Maja Milner’s vocals make this track. There’s plenty of urgency in the musicianship, but it’s her voice that defines the song and lets it soar and sweep down. There’s something slightly chaotic and punky in the track, despite the jangly guitars. Great stuff.

The A List (10th March 2019) – the ten best new music tracks right now

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Last week’s strong top three trade positions with Simon Curtis rising to the number 1 spot. It is incredibly hard to separate it from the James Blake and Dave tracks, which are both great. Four new entries make this week’s A List, and we have two tracks on their third and final week. Enjoy! 

1. Simon Curtis – Love 

This tracks starts off sounding like The Weeknd but then Love develops an 80s pop obsession and as a wave of synths floats across the track we end up with a hybrid between those two sounds; modern r’n’b influenced pop, and 80s pop with wispy backing vocals and programmed drums.

2. James Blake, Andre 3000 – Where’s The Catch 

With its unsettling, murky piano and deep beat, it questions whether the love and joy that Blake is experiencing really has a catch; whether it’s too good to be true. For anyone who isn’t known to be wildly positive – which I think is a category we can classify Blake in, given his previous releases – it’s an understandable and relatable feeling.

3. Dave – Black

Brixton-born rapper Dave is releasing his debut album on the 8th March and Black is the first single from it. It’s a hugely impressive exploration of racial identity and the lyrics are well worth considering in full. 2019 may just be his year for the taking.

4. Julia Jacklin – Pressure to Party [New Entry]

The Penguin has to be honest, lyrically this may well be my favourite track of the year so far. It is just so brilliantly constructed and hard-hitting. It makes you sit up and take notice.

5. Headie One (featuring Dave) – 18Hunna (Four Tet Remix) 

There’s almost nothing urgent in the music. Gentle jangles and echoed vocals set the tone at the beginning, and it just unfurls from there. There’s a beat in the background, but it’s a gentle ‘nod your head’ rather than a knock your socks off beat. The vocals flow smoothly and there’s even room for some birdsong in there.

6. G Flip – Killing My Time [New Entry]

This song is just effortlessly cool. The vocals are gorgeous, and whoever produced it was wise enough to make sure they stay front and centre, but there’s some nice production touches in the background. Superbly catchy, this is pop music that you can just sit back and enjoy.

7. Chaka Khan – Like a Lady [Final Week]

Like a Lady’s production is on point. Plenty of retro vibes without feeling in any way dated; in fact this takes a funky disco sound and makes it feel like it’s totally 2019. But the reason the Penguin loves this track is quite simply because it is full of joy.

8. ROMANS – Be Fine [Final Week]

Beautiful vocals mask the depths of angst and sadness in the lyrics, this is an absolutely cracking record.

9. Yuksek – I Don’t Have A Drum Machine [New Entry]

French producer Yuksek has put together an absolute knockout of a tune with I Don’t Have A Drum Machine. It’s an upbeat disco track that effectively narrates you through its own production. Fun, retro and extremely catchy, it absolutely makes you want to dance.

10. Sigrid – Sight of You [New Entry]

A joyful four minutes of pop that could easily have been pinched from a musical. Monstrous strings swoop across the landscape, as the lyrics tell the tale of daily tribulations (“The airline lost my luggage, still got all this weight”) being overcome by the mere sight of her love.

This Week Playlist (5th March 2019) – 5 cracking new releases to tantalise your ears

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Sigrid – Sight of You
A joyful four minutes of pop that could easily have been pinched from a musical. Monstrous strings swoop across the landscape, as the lyrics tell the tale of daily tribulations (“The airline lost my luggage, still got all this weight”) being overcome by the mere sight of her love.


Jonas Brothers – Sucker
I’ll be honest, I originally only listened to this song because of a curiosity of how bad it would be. How foolish I am. Sucker is well produced and takes the Motown sound we all know and love and gives it a sight modern tweaking, very much in the mould of Bruno Mars. They’ve even thrown in some whistling as well, and it’s damn catchy. Welcome back JoBro.


Art School Girlfriend – Bending Back
Art School Girlfriend released one of the best EPs of last year (Into The Blue Hour), full of electronic landscapes and superb vocals. She recently released a live EP with three tracks on, including this track (a single from 2017), recorded at the St Pancras Church in London (which is an amazing and intimate venue). I really like how Bending Back has space to grow and develop, how it all feels essential but never rushed. I can’t wait to hear more from her.


Four Tet – Only Human
A couple of weeks ago Four Tet teased on Twitter that the Nelly Furtado sample was cleared. Now we get the results. With a tempo and beat that would easily sit alongside his Eric Prydz remix, Only Human is a house track with all of little Four Tet tweaks and twists. The basic beat sits in the background as the vocals and other sounds get chopped and deployed at random intervals.


Catz ‘n’ Dogs, James Yuill – There
From the outside this has a melancholic vibe that brings to mind the Stone Roses. As it develops, you get some prominent acoustic guitar and more subtle keys in the background. But it’s the hypnotic percussion beats that help you drift along with the track.