Tag: Florence + the Machine

The A List – the best 10 new music tracks around right now (3rd February 2019)

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It’s all change on this week’s A List, with a whopping 6 new entries including a brand new top 3. We’ll be losing the Lucy Rose track this week as it has reached its three week limit, but next week’s new entries will struggle to compete against this list.

1. Plastic Mermaids – Floating in a Vacuum [New Entry]

Tuesday’s Track of the Day is my favourite of 2019 so far. From the orchestral introduction to the playful synths, this is a track that grabs your attention. But it’s the vocals and the chorus that really gets me. There’s something deeply sad and realistic living within the simple words, well beyond the alien visuals and space vibes. “the gravitational pull, only gets stronger, and every time that we fall, it hurts even longer, somewhere up in the sky, we float like a feather, but we just live out our lives, trying to hold it all together.” It’s a message of quiet stoicism. And it really, really gets me.

2. Gary Clark Jr. – This Land [New Entry]

Friday’s Track of the Day, This Land is venomous. You can feel the frustration and anger pour out of every single note. The video is superb. The lyrics are hard-hitting and personal. And the energy is off the chart.

3. Dua Lipa – Swan Song [New Entry]

For my money, this is the best Dua Lipa song since 2015’s Be The One. From the tribal percussion and vocal snippets, this is a song of defiance and power “this is NOT a Swan Song”.

4. James Blake, ROSALIA – Barefoot In The Park 

Down four places this weekend, but it still sounds enchanting. There’s something magical about the track. It feels so enticing, but never quite real. You don’t want to move in case the spell is broken.

5. Bonobo – Ibrik [New Entry]

Ibrik is the first track from the forthcoming ‘Fabric Presents Bonobo’ record, due for release on the 22nd February. As you’d expect from Bonobo, it’s full of intricate beats and an excellent melody, but there are so many layers and snippets throughout to tantalise your ears.

6. Lucy Rose – Conversation [Final week]

Conversation is full of atmosphere with some beautiful strings. Simple and yet hard-hitting, there’s an air of strength and finality surrounding the delicate vocals.

7. The Cinematic Orchestra – A Caged Bird/Imitations of Life [New Entry]

Featuring the unmistakable vocals of long-term collaborator Roots Manuva, A Caged Bird/Imitations of Life is an emotional journey that only gets better with every listen. “Why would you hide from yourself, Belief is here to f‌ind you” Manuva sings, over the soaring sonic landscapes underneath.

8. Jenny Lewis – Red Bull & Hennessy [New Entry]

Jenny Lewis has returned with her first single in five years and it is giving me seriously good Fleetwood Mac/Stevie Nicks/Lyndsey Buckingham vibes – possibly with a little dose of Kate Bush thrown in towards the end – which is just about the highest compliment I can give.

9. Florence + The Machine – Moderation [New Entry]

“Want me to love you in moderation, Do I look moderate to you?”  Florence returns with a cracking single encompassing superb lyrics, a bluesy-pop vibe and her usual stunning vocals.

10. Me & My Toothbrush – Just Release Me 

A supremely catchy dance track that builds and dips, the guitars keep it bopping along and the vocals sound properly old school.

 

 

 

This Week Playlist (31st January)

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I’m a bit late with this as I meant to post it yesterday, but I wanted to share some of the records that I’m completely loving at the moment. I’ll be back tomorrow with an excellent Track of the Day.

Dua Lipa – Swan Song

For my money, this is the best Dua Lipa song since 2015’s Be The One. From the tribal percussion and vocal snippets, this is a song of defiance and power “this is NOT a Swan Song”.  The lyrics are motivating and heavily influenced by HIV and AIDS activists in the 1980s.

Jenny Lewis – Red Bull & Hennessy 

With a fourth album – On The Line – due out on the 22nd March, Jenny Lewis has returned with her first single in five years. Red Bull & Hennessy is giving me seriously good Fleetwood Mac/Stevie Nicks/Lyndsey Buckingham vibes – possibly with a little dose of Kate Bush thrown in towards the end – which is just about the highest compliment I can give. A really good pop track.

Bonobo – Ibrik

Si Green (aka Bonobo) has crafted his reputation for excellence over several stunning releases. Ibrik is the first track from the forthcoming ‘Fabric Presents Bonobo’ record, due for release on the 22nd February. As you’d expect from Bonobo, it’s full of intricate beats and an excellent melody, but there are so many layers and snippets throughout to tantalise your ears.

The Cinematic Orchestra – A Caged Bird/Imitations of Life

The Cinematic Orchestra’s first release from new album To Believe (due out on the 15th March) is absolutely monstrous. Featuring the unmistakable vocals of long-term collaborator Roots Manuva, A Caged Bird/Imitations of Life is an emotional journey that only gets better with every listen. “Why would you hide from yourself, Belief is here to f‌ind you” Manuva sings, over the soaring sonic landscapes underneath.

Florence + The Machine – Moderation

“Want me to love you in moderation, Do I look moderate to you?”  Florence returns with a cracking single encompassing superb lyrics, a bluesy-pop vibe and her usual stunning vocals. Produced by James Ford, I think this track sounds like an evolution from ideas across all of her previous albums and I’m intrigued to know if she’ll keep following this path.

Foals – Exits 

I’ve blogged before about my excitement for the forthcoming Foals album, and the first single Exits is an intriguing prospect. Returning to the staccato sounds that shaped some of their earlier releases, it’s not the immediate banger that preceded their last two records (Inhaler and What Went Down), rather it’s the sound of a confident band willing to stride off in their own direction.

Top 50 songs of 2018 – 40 to 31

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  1. Nils Frahm – My Friend the Forest

The recording of My Friend the Forest leaves you holding your breathe. So close and intimate, you can hear the movements of the piano parts in addition to the melody it is creating. It’s a very moving and personal recording that leaves you feeling connected, as if you’re part of the performance and the magic it creates.

 

  1. Bryde – To Be Brave

To Be Brave starts with a fragility that makes you sit up and take notice. The soft guitar and tender vocals feel delicate and hushed, and the chorus ends with the lyrics “No one needs to notice that there’sonly silence holding this”. And yet, the song gets louder. Whatever is being masked through bravery is becoming increasingly difficult to contain.

 

  1. Editors – Hellelujah (So Low)

Sometimes you’ve just got to turn up the volume, rock and repent. This is Editors as we’ve never heard them before, and it sounds fantastic. Written after a visit to an Oxfam refugee camp, you can hear the mortality and remorsefulness scattered throughout the track.

 

  1. Miljon – What Does It Take

What Does It Take beautifully suits wintery cold weather and dark evenings. With a touch of the XX underpinning the track, there’s a real beauty in its repetition and luscious tones, but there’s also a sense of difficult emotions not too far from the surface.

 

  1. Lizzo – Boys

It took five years but finally we have the riposte to Blurred Lines that the world needed. Funky, inclusive and catchy as hell, Boys is just a cracking good tune that sounds timeless and will be filling dancefloors for years.

 

  1. Black Belt Eagle Scout – Soft Stud

Black Belt Eagle Scout’s Mother of My Children was one of my favourite albums of the year. Soft Stud is the opening track and is full of pain and lust, a tale of feeling rejected in an open relationship. The real beauty of Soft Stud isn’t the lyrics though, it’s the emotions you feel through the guitar as it elevates the track into something truly spiritual.

 

  1. Django Django – Marble Skies

Django Django consistently produce excellent and provocative electro pop and Marble Skies is one of their best. Immensely catchy, the first track from the album of the same name sets a relentless pace. Marble Skies feels like we’re in a high-speed chase, there’s plenty of fun to be had but chaos is never far away.

 

  1. The Decemberists – Severed

I’m a sucker for synth pop and when you throw in the menace that The Decemberists bring to Severed I’m unable to resist. Written as an exploration of Donald Trump’s public voice, Severed certainly feels like the soundtrack for the end of the world.

 

  1. HAELOS – Buried in the Sand

HAELOS are a band with huge promise, and one I tip for festival headliner status in the future. Buried in the Sand is their first track back after a couple of years away and although less immediate than a lot of their work on debut album – Full Circle – I’ve grown to love it. It has a swagger running throughout, and feels like a real statement from the band about how they are ready to make their next step up.

 

  1. Florence + The Machine – Big God

I was a big fan of Florence’s new album High As Hope as I felt it showed real progression in song writing and was less reliant on Welch’s voice hitting magnificent highs to make the record stand out. Big God is a perfect example; it sounds like a Shirley Bassey backing track with all sorts of drama and peril threatened by the opening piano notes. Yet the vocals remain beautifully grounded and intimate; eschewing the need to set off into the stratosphere and making the record all the more satisfying for its lack of predictability.