Tag: Esther Joy Lane

The A List: Sunday 5th Feb

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Here’s the A List for this week: my favourite 10 tracks at the moment.

Every Sunday I post a new A List,  an insight into what I’m loving right now. Tracks featured here will either have been previewed on the blog beforehand – either on the This Week Playlist or as a Track of the Day – or come from albums I’m listening to at the moment. Tracks can stay on the A List for a maximum of four weeks.

Tomorrow I’ll be posting the Bonus List – an extension of the A List with 10 songs that just missed out on  the A-List – as well as the This Week Playlist – seven new tracks that will tickle your ears. George will also be posting an album review tomorrow, and I’ve got a couple of gigs this week that I’m very excited about – more later this week.

So let’s get to it. Here is this week’s A List:

1. Jamiroquai – Automaton (New Entry)

What an extraordinary return from 90’s superstars Jamiroquai. An electro pop masterclass with euphoria, menace, and a playful 90’s pop-meets-hip hop breakdown. I’m not sure anyone realised the world needed a Jamiroquai return, but Automaton sounds as fresh and innovative as anything released so far in 2017.

2. The Black Madonna – He is the Voice I Hear (Down 1; 3rd week)

He is the Voice I Hear is a rollercoaster ride with strings, jazz piano and disco-influences. Fresh from the – incredibly exciting – news that she’ll be taking over the residency at London’s XOYO, the best DJ in the world right now looks set to build on all her numerous successes of 2016 and take over the world in 2017.

3.  Mixhell, Joe Goddard – Crocodile Boots (Soulwax Remix) (Down 1; 2nd week)

This is a five minute industrial revolution. Full of dancing percussion samples and snippets, the spoken word sections only add to these feeling like it has transported 1980’s electronica and transported it to the future. It’s a fine record, and one I’ve enjoyed every listen of.

4. Parcels – Allaround (New Entry)

With beautiful vocals that sound like they’ve been borrowed from Kings of Convenience, layering them onto a track that plays with disco and funk – a la Jungle – and delivering some stunning musicianship along the way, this is a superb piece of music. Parcels have released a steady series of hugely impressive singles, and this is my favourite so far.

5. Husky Loops – Fighting Myself (New Entry)

This track is a spring of menace and insecurity wound way too tight; it’s initially menacing – with traces of art rock – before building to a frantic and thrilling finish. I’m very excited about seeing these guys on Thursday.

6. LOYAL – Moving As One (Down 3; 3rd week)

LOYAL’s Moving As One has plenty of layers that span different genres and enough musical ability to bring it together seamlessly.

7. Priests – Jj (New Entry)

A post-punk quartet, Priests have delivered their second single from new album Nothing Feels Natural. It’s like being trapped in the getaway car from a bank robbery in the wild west: country-twinged, all action, energy and attitude.

8. Tiga – Eye Luv U (New Entry)

Canadian DJ and producer Tiga has a pretty stunning back catalogue, creating some of the most innovative of off-beat electro bangers. Eye Luv U finds all of his favourite hallmarks, an infectious beat, weird and slightly off-kilter vocal snippets and a playful approach to melody.

9. Esther Joy Lane – Ever Ever (Down 5; 3rd week)

Ever Ever starts off on familiar terrain for Grimes fans, which is certainly no bad thing. But it then takes a different path; meandering between synth pop, electronica and dance

10. Bonobo – No Reason (Down 5; 3rd week) 

Mournful vocals are matched by elegant electronic touches; it’s a claustrophobic listen that leaves you wanting to curl up in a blanket and hide away from the world.

 

 

The A List: 29th January

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Here’s the A List for this week: my favourite 10 tracks at the moment.

Every Sunday I post a new A List,  an insight into what I’m loving right now. There’s a strong dance feel to the list at the moment, with four of the top five representing the genre’s different forms. There are three new entries this week, and one track is celebrating a third week on the A List.

Quite simply, there’s a lot of good music out there right now. It was tough to get it down to 10 tracks this week, so I’ll be posting the B-List tomorrow – the 10 songs just below the A-List – that I’ve christened the Bonus List. I’ll also be posting the This Week Playlist tomorrow, seven tracks that will tickle your ears. I warn you in advance: it’s a strong list this week.

So let’s get to it. Here is this week’s A List:

1. The Black Madonna – He is the Voice I Hear (Non-Mover; 2nd week)

A lot of people are dismissive of dance music. The world of EDM bangers and superstar DJ’s has – over the past few years – led to a perception of formulaic dance-by-numbers tracks. But then every now and then a dance song comes along that completely changes what dance music can be; He is the Voice I Hear is one of those tracks, a rollercoaster ride with strings, jazz piano and disco-influences. It’s a masterpiece, and it rightly stays at number one.

2.  Mixhell, Joe Goddard – Crocodile Boots (Soulwax Remix) (New Entry)

This is a five minute industrial revolution. Full of dancing percussion samples and snippets, the spoken word sections only add to these feeling like it has transported 1980’s electronica and transported it to the future. It’s a fine record, and one I’ve enjoyed every listen of.

3. LOYAL – Moving As One (Non-Mover; 2nd week)

LOYAL’s Moving As One has plenty of layers that span different genres and enough musical ability to bring it together seamlessly.

4. Esther Joy Lane – Ever Ever (Non-Mover; 2nd week)

Ever Ever starts off on familiar terrain for Grimes fans, which is certainly no bad thing. But it then takes a different path; meandering between synth pop, electronica and dance

5. Bonobo – No Reason (Down 3; 2nd week) 

George reviewed Bonobo’s album this week and rightly picked out No Reason as a highlight.  Mournful vocals are matched by elegant electronic touches; it’s a claustrophobic listen that leaves you wanting to curl up in a blanket and hide away from the world.

6. Army of Bones – Don’t Be Long (Down 1; 3rd week) 

I’m still loving this unexpected indie treat. Strong pulsing guitars and a polished melody makes this a fine January listen.

7. The XX – Dangerous (New Entry)

A tremendous statement of intent to kick off new album I See You. I struggle to think of another band who have so effectively stated a change in direction and a stepping-up of their sound as The XX have with Dangerous.

8. The XX – Performance (New Entry)

A heart-dropping, mournful and gripping track that finds The XX back on familiar ground. Romy’s vocals are – as usual – emotional in a way so few other singers can manage; elevated by the strings and stripped back guitar.

9. Dan Croll – Away From Today (Non-Mover; 2nd week)

A slightly disorientating indie pop track that could easily have been take from Bombay Bicycle Club’s back catalogue. It plays with the senses a little, never quite settling. But for the ridiculously abrupt ending, I rather like this.

10. Tall Tall Trees – Freedays (New Entry)

Our Track of the Day on Thursday, this is psychedelic-infused indie folk – with a banjo. It sounds like a product of vast and hazy country landscapes, and would comfortably sound at home alongside records by Fleet Foxes and Jonathan Wilson.

You can listen to all ten tracks here:

Track of the Day: Esther Joy Lane – Ever Ever

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Esther Joy Lane – Ever Ever

Early in 2016 a (sadly no longer active) blog pointed me in the direction of Esther Joy Lane. Her then single, Quest For Her Master was an intriguing track that hit you with contradictory sensations; like one of those hot tubs at ski resorts (disclaimer: I’ve never been to a ski resort in my life) it was both warm and cold at the same time.

I’ve been waiting patiently for a follow up and it arrived very recently. Ever Ever starts off on familiar terrain for Grimes fans, which is certainly no bad thing. But it then takes a different path; meandering between synth pop, electronica and dance. It creates similar sensations to Quest For Her Master, and I’ve really enjoyed pairing listens to this track with the brisk air London has experienced this week.

I think this track demonstrates a really interesting artist who is finding her distinct sound and becoming increasingly confident. Hopefully other tracks will follow soon.

You can follow Esther here and let me know what you think of the track (astralpenguinsmusic@gmail.com).