Tag: Dave

The A List (3rd March 2019) – the ten best new music tracks right now

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Lots of change on the A list this week with 6 new and varied entries. It was hard to keep it to ten tracks this week, there’s so much good stuff around at the moment and the diversity of the music makes them hard to compare. Still, a top three of new entries and a third and final week on the A list for Fakear. Check out this cracking top 10. 

1. James Blake, Andre 3000 – Where’s The Catch [New Entry]

With its unsettling, murky piano and deep beat, it questions whether the love and joy that Blake is experiencing really has a catch; whether it’s too good to be true. For anyone who isn’t known to be wildly positive – which I think is a category we can classify Blake in, given his previous releases – it’s an understandable and relatable feeling.

2. Dave – Black [New Entry]

Brixton-born rapper Dave is releasing his debut album on the 8th March and Black is the first single from it. It’s a hugely impressive exploration of racial identity and the lyrics are well worth considering in full. 2019 may just be his year for the taking.

3. Simon Curtis – Love [New Entry]

This tracks starts off sounding like The Weeknd. Seriously, it’s a little unnerving. The sweeping falsetto vocals completely deceived my ears. But then Love develops an 80s pop obsession and as a wave of synths floats across the track we end up with a hybrid between those two sounds; modern r’n’b influenced pop, and 80s pop with wispy backing vocals and programmed drums.

4. Jessie Ware – Adore You

Produced by Metronomy’s Joseph Mount, Adore You is full of cold electronic shudders that – shouldn’t but somehow do – aid the sensual and devoted lyrics, Adore You is a pretty impressive coming together of Ware’s excellent vocals and production that really develops throughout the track.

5. Chaka Khan – Like a Lady 

Like a Lady’s production is on point. Plenty of retro vibes without feeling in any way dated; in fact this takes a funky disco sound and makes it feel like it’s totally 2019. But the reason the Penguin loves this track is quite simply because it is full of joy. It captures the dizzying joy and elation when you meet someone who sets your heart on fire.

6. ROMANS – Be Fine 

Halfway through the second verse London-based artist ROMANS sings ‘How I wished we could turn back time’, which feels particularly fitting given the classic soul vibe he’s producing in this monster single. Beautiful vocals mask the depths of angst and sadness in the lyrics, this is an absolutely cracking record.

7. Tarantina – Heal [New Entry]

Delicate and fragile vocals barely hover above piano. There’s an almost claustrophobic sense of pain, as she repeats over and over ‘its hard for me to heal’. Tarantina will soon be hosting her first headline show at the Slaughtered Lamb in London, and you should check it out.

8. Headie One (featuring Dave) – 18Hunna (Four Tet Remix) [New Entry]

There’s almost nothing urgent in the music. Gentle jangles and echoed vocals set the tone at the beginning, and it just unfurls from there. There’s a beat in the background, but it’s a gentle ‘nod your head’ rather than a knock your socks off beat. The vocals flow smoothly and there’s even room for some birdsong in there.

9. Fakear – Nausicaa [Final week]

Listening to Nausicaa you’re transported away to a forrest, far from everyday life and surrounded by intrigue.

10. Blood Youth – Nerve [New Entry]

Yorkshire rockers Blood Youth released their second LP earlier this month, and Nerve is one of the tracks on it. Full of disgustingly large guitars that’ll knock your false teeth out, there’s menace in this track from the opening notes. It brings to mind the kind of rock that I loved in the early 2000s, notably Korn and Rammstein. Great stuff lads.

Track of the Day: Headie One – 18Hunna (Four Tet Remix)

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Headie One (featuring Dave) – 18Hunna (Four Tet Remix)

A few years ago the Penguin’s best friends – not other penguins, don’t be racist – went crazy for Four Tet’s remix of Opus by Eric Prydz, with its sensation three-minute build in the middle. Then last year he released a remix of Bicep’s Opal, which was – if anything – a simplifying of the original and adding a four four beat. That reworking made the Penguin’s Top 50 of 2018. The thing is, with Four Tet remixes, you don’t necessarily know where he’ll crop up; his eclectic taste make it equally as likely that he’ll be reworking a jazz record as anything you’ll hear in a club or in the charts. What you do know is that the results are usually very good.

Now he’s back on remixing duty for London rapper Headie One on 18Hunna, a track that also features Dave who cropped up on the blog yesterday. I liked the original version and nearly featured it on the blog, but it came in a period when I just had an outrageously large amount of good music to share. But I’m sort of glad I didn’t, because I think the remix – which completely shifts the vibe of the original – is even better.

There’s almost nothing urgent in the music. Gentle jangles and echoed vocals set the tone at the beginning, and it just unfurls from there. There’s a beat in the background, but it’s a gentle ‘nod your head’ rather than a knock your socks off beat. The vocals flow smoothly and there’s even room for some birdsong in there.

Britain’s rap scene feels hugely exciting right now. The demarcation lines between grime, garage, drill and rap feel more blurred than ever, and instead quality acts are coming forward confidently and with a lot to say. This remix, I feel, is simply a sign of how confident Headie One and Dave are about pushing what they do forward, and Four Tet plays his role perfectly. Check it out.

This Week Playlist (25th Feb 2019) – 6 cracking new songs to feast your ears on

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It’s an eclectic mix on the playlist this week. We have some dark emotive pop, hard-hitting UK rap exploring racial identity, a mellow dance remix that’ll transport you away, some very direct pop-punk, dirty rock music from Yorkshire and a Bonobo-collaborator once again going solo. Here are 6 cracking new songs for you to feast your ears on. 

  1. Tarantina – Heal 

The Penguin previously featured Tarantina’s last release earlier this month, and she’s surpassed herself with new song Heal. Delicate and fragile vocals barely hover above piano. There’s an almost claustrophobic sense of pain, as she repeats over and over ‘its hard for me to heal’. Tarantina will soon be hosting her first headline show at the Slaughtered Lamb in London, and you should check it out.

2. Dave – Black 

This came out on Thursday and already has over a million views on Youtube. Brixton-born rapper Dave is releasing his debut album on the 8th March and Black is the first single from it. It’s a hugely impressive exploration of racial identity and the lyrics are well worth considering in full. 2019 may just be his year for the taking.

3. Black Coffee, Guy Mantzur, Msaki – Wish You Were Here 

The Penguin loves a good sprawling 8 minute remix. Wish You Were Here is just a joy to listen to; mellow and meandering, you can lose yourself in the little refrains and laid-back vibes.

4. SWMRS – Trashbag Baby 

Taken from their second album Berkeley’s On Fire which came out on the 15th Feb, Trashbag Baby is full of jaunty jangling guitars and pop punk vocals. The conversational style duet is pretty direct, the opening line is “First off I hate you”.

5. Szjerdene – Restart

Bonobo-collaborator Szjerdene’s Restart is her first solo release since 2016. Her voice soars over a shifting landscape below, including some rather beautiful strings at one stage.

6. Blood Youth – Nerve 

It’s time for something a little heavier. Yorkshire rockers Blood Youth released their second LP earlier this month, and Nerve is one of the tracks on it. Full of disgustingly large guitars that’ll knock your false teeth out, there’s menace in this track from the opening notes. It brings to mind the kind of rock that I loved in the early 2000s, notably Korn and Rammstein. Great stuff lads.

Word on the Street: January 2017

Word on the Street: January 2017

In the first in a series of monthly posts, our resident DJ, George, gives us a round-up of January’s offerings from the urban side of music culture. Gunfingers and dancing shoes at the ready!

2017 is off to a great start. It’s always pleasing to say that I’m struggling with the amount of music to consume at any given time, and it certainly feels that way right now. Given how little music is usually released in the run up to Christmas, January always feels like a blessing, but this year in particular seems to be setting a high standard already.

Of course, there’s no finer way to set the bar high than with the return to form of a legend. After a few years in the commercial wilderness – I read somewhere that he was trying to make more money to offer a better quality of life to his daughters, so fair play – Eskiboy is well and truly back in the grime fold, with the release of the aptly-titled “Godfather”, his eleventh (eleventh!!!) studio album. Having been pushed back multiple times, with Wiley himself threatening to cancel its release altogether and stating it will be his last, it’s no surprise that it’s an absolute joy to listen to. It’s the perfect length at 17 tracks, and just under an hour, and is littered with features from some of the biggest names in the scene (JME, Newham Generals, Skepta, P Money).

But it’s solo track “Back With A Banger” on which the King of Grime really shines. I can’t think of anything better than Wiley going hard for 3 minutes over a flawless Preditah beat, and no lyrics are more fitting for heralding his return than when he announces “anybody wanna know what I’m doing right now, go tell ‘em that I’m back with a banger”. Elsewhere, there are highlights in “On This”, featuring his long-time prodigies Ice Kid, Chip and Little D, and a killer link-up with Devlin on “Bring Them All/Holy Grime”, which you can watch below. Following that, I strongly recommend you take an hour out of your day to immerse yourself in grime perfection.

Speaking of Devlin, the Dagenham native’s comeback continued with the release of his latest single, “Blow Your Mind”, complete with a chorus from Maverick Sabre. I’m slightly biased, hailing from nearby Essex myself, but, like Wiley, he’s been gone too long, and I for one am excited for him to unleash his new album, “The Devil In”, later this year.

Elsewhere in grime, President T snuck in at the end of 2016 with the release of “T On The Wing”. As with “Godfather” there are numerous collaborations with other contemporaries from the scene, but again it’s a solo track that provides the highlight, and closes the album – “Ending Careers”. The Meridian Crew member, and Boy Better Know affiliate, lets loose over Danny Weed’s classic 2004 instrumental “Salt Beef”.

It’s been a while since I’ve heard a Lethal Bizzle track that I actually enjoyed, so imagine my delight when I heard him accompanied by Giggs and Flowdan over a classical/choral influenced rhythm produced by Heavytrackerz. Hopefully “Round Here” sparks another return to form in 2017.

Also produced by Heavytrackerz this month is “Rain Drop”, the latest single from French grime trio Perfect Hand Crew. In the interest of honesty, I feel obliged to divulge that I personally know PHC, but that takes nothing away from their ability, especially given that they’re making music in something other than their native tongue. In fact, the memory of having watched Tasty Took freestyle in English at an early hours afterparty in Montpellier after many drinks still blows my mind to this day. Check out the track and it’s amazing video below.

Having already confessed to one personal conflict of interest, I should perhaps start this recommendation with another disclaimer: I’m a Birmingham City season ticket holder, and am therefore a fan of this video having been shot in the car park at St. Andrew’s. Don’t let that put you off though. Give Jaykae’s “No” a go – it’s been co-signed by Logan Sama no less!

Finally, while listening to Sian Anderson on 1Xtra this month, I was introduced to 17 year old South Londoner, Dis, by way of her take on Beyoncé and Sean Paul’s “Baby Boy”. I’m not completely convinced by her lyrics and flow, preferring the production (possibly influenced by Lolingo’s grime re-imagining of Amerie’s “One Thing”?), but at such a young age she should be considered one to watch.

Moving away from grime (but only just), Coyote Records this month released the second album from American producer Letta. His take on R&G (rhythm and grime to the uninitiated – check out this excellent 25 track introduction to the fascinating sub-genre here), influenced by his own battles with homelessness and addiction, continues on the excellent “Redemption”. The album has an ethereal, futuristic feel – I like to think that Rick Deckard would pour himself a dry smokey (worms included), and listen to this at home, after a long day of tracking replicants.

In a similar vein, comes the debut EP from Klasey Jones, one of the most promising producers in the UK’s wave scene. Unsurprisingly, given that he is pushing the scene more than anyone else, “Foreign Buyers Club” is released on Plastician’s Terrorhythm label. I’m intrigued to see where this sound will go, particularly as it seems to have emerged almost solely from Soundcloud producers.

On the dancier side of the scene, South London producer Jynx (who was on the buttons for one of my favourite remixes of 2016) put out four tracks of stunning quality on the “Saffron City” EP. There are so many influences I can hear that it would be almost impossible to list them all, but in general you could take the best of R&B, UK funky/garage, Burial-style dubstep, and even 90s house, and you might get close. “Saffron City” and “Calm Mind” are particularly good.

Having mentioned UK funky, that brings me on nicely to two serious contenders for my favourite tune of 2017 (yes, I know it’s only January!). The astounding thing about these tunes is that they are both released on the same label. Roska seems to be consistently finding the best new talent to showcase on his Roska Kicks And Snares imprint, and with Murder He Wrote he is continuing this trend. For most of 2016, and to anyone who would listen, I waxed lyrical about how Murder He Wrote was destined for greatness. His output has improved exponentially with each release, and it’s with “Watch The Tempo” that he seems to have outdone himself again – a serious, bass-heavy, funky roller complete with hip-hop breakdown.

The second fine release on RKS in January comes from Roska himself, this time collaborating with bassline guru Champion. “Flame Grilled” combines the best elements of UK funky/garage and late 2000s bassline. Should you have the (mis-)fortune to catch me DJing somewhere this year, you’ll be sure to hear both of these.

Dave doesn’t sound like the most inspiring name for an up-and-coming English rapper to have chosen, but don’t let this fool you when it comes to the potential for being the biggest name in UK rap and R&B. Having already had his single “Wanna Know” remixed by Drake last year, he continues his quest to become the UK’s equivalent to Toronto’s finest with new track “Samantha”, alongside fellow rising star J Hus. Get ready for these two to take over in 2017.

You may have noticed that there is a glaring lack of anything from the other side of the pond in this round up (mainly because all the big releases only went live yesterday – see below). To tide you over until next month, when hopefully there’ll be more Stateside sounds for me to cover, here’s Missy Elliott’s latest, bonkers-as-always video for “I’m Better”.

Before signing off, we should cover any other business. There are always too many incredible club nights to be able to attend them all, but two in particular that I’m hoping to make it to in the coming weeks are Boxed’s 4th birthday at Phonox in Brixton on 3rd March, and Kode9 doing a one time only history of Hyperdub set at Archspace on 24th February. If you’re attending either, maybe just shout George really loud, and you can tell me how awful and long-winded this post was.

Club culture in general is one of my passions, so I’m always keeping an eye out for any documentaries on this topic. At only 26 minutes long, Annie Mac’s Who Killed The Night? isn’t given enough time to really establish what is going on with nightclub closures across the UK, but is worth watching nonetheless before it disappears from the iPlayer.

Since the Viceland TV channel launched in the UK, I’ve hardly watched anything else – you should check out Abandoned in particular, which satisfied my strange fascination with derelict buildings and ghost towns. It’s Big Night Out that I want to draw your attention to though. Clive Martin, journalist and Head of Brand Development at ASOS, converts his excellent Big Night Out column for Vice into a documentary series, exploring the weird and wonderful in nightlife experiences across the continent. If I were you I’d watch it just to see how awkward he seems in certain situations, and for his attempt to not puke in front of Carl Cox.

Finally, in they-only-came-out-yesterday-so-I-haven’t-had-time-to-listen-to-them-properly-yet news, there were releases for Drake collaborator Gabriel Garzón-Montano, America’s Got Talent finalist turned legit R&B talent Kehlani, and, most significantly, Atlanta trap trio Migos (this one is already on constant rotation, so check out “T-Shirt”, and the huge hit “Bad And Boujee”). “New Gen” also looks like a very promising compilation showcasing the next wave of grime, R&B and spoken word talent. You can expect all of these to either be reviewed in the next week or so, or feature in next month’s round up.

If you’ve read this far, thank you for putting up with my waffling. I know this was a long read, but there’s genuinely so much to cover in one month, across multiple genres. We’ll see if I can trim it a bit next time!

If you discover something you love, or want to tell me what I’ve missed (or that I’m wrong!), then get in touch via astralpenguinsmusic@gmail.com. Most of the tracks mentioned above can be found in the Spotify playlist below. See you all in a month!