Tag: Art School Girlfriend

This Week Playlist (18th March 2019) – 8 cracking new songs to feast your ears on

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An eclectic bunch this week, featuring dance, folk (with a country-twinge), folk without any twinges, several electro-pop tracks and even a bonus garage track. I’ve also got some cracking tracks of the day coming up, so keep your eyes peeled….

Peer Kusiv – Tundra

German music producer Peer Kusiv’s latest EP came out in early February, and this is the title track. Full of shifting sounds – both the bass line and top end melody constantly evolve throughout the track – this is an expansive track that sounds great on headphones in the dark.

Bedouine – When You’re Gone 

Originally hailing from Aleppo, Syria and moving to LA via Saudi Arabia and several US cities, Bedouine has an unorthodox background. When You’re Gone came out earlier this month and it has a folk heart – it brings to mind Kings of Convenience – with snippets of country music thrown in. It’s the kind of track that just washes over you; it feels incredibly sincere and moving, yet never feels overstated.

Rolling Blackouts Coastal Fever – In The Capital 

Aussie rockers RBCF had a monster 2018 as their debut album Hope Downs got a huge amount of critical – and fan – acclaim. In The Capital comes only a few months after their album, and feels less urgent and striking than most of Hope Downs, but in this instance it really works. Catchy guitars and measured vocals are really the recipe for In The Capital.

ViVii – Pick Me Up 

ViVii’s self-titled debut album came out on Friday and Pick Me Up is from that album. This track is really rather beautiful; electronic pop that feels like a dream. It gradually rises into a chorus that explodes into reverie.

Lucy Rose – Treat Me Like A Woman

Lucy Rose is really smashing it out of the park at the moment. Her new album is out on Friday and this is the third track that has been pre-released, and all three have been covered on this blog. Treat Me Like A Women is – as she details in this interview – inspired by personal experiences of sexism, and hits back in the most striking way. The sound may be stripped back, but that allows her voice and lyrics to really shine.

Grand Pax – Lapse 

From the opening note Lapse feels claustrophobic. With a beat in the background that sounds heavily inspired by Darth Vader, the close and dense electronics are matched by the vocals until the chorus, when Grand Pax’s voice is allowed to shine. This doesn’t feel a million miles away from the kind of music that Massive Attack produce.

Art School Girlfriend – Come Back To Me 

The Line of Best Fit did a brilliant piece last week on Margate-based Art School Girlfriend  that is well worth checking out. I blogged recently about how her Into The Blue Hour EP was one of my 2018 favourites, and Come Back To Me is a very assured follow up. More sensual and lustful, there’s loads of little electronic touches that really tantalise the ears.

Wes Thomas – Believe – Tuff Culture Remix 

I don’t think I’ve ever featured a garage track on the blog before, but this remix has taken me back to 1999 with its vibes. I like the fact that the remix isn’t linear, you get a few shifts in direction and melody but the essential bits keep coming back and pleasing the ears.

This Week Playlist (5th March 2019) – 5 cracking new releases to tantalise your ears

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Sigrid – Sight of You
A joyful four minutes of pop that could easily have been pinched from a musical. Monstrous strings swoop across the landscape, as the lyrics tell the tale of daily tribulations (“The airline lost my luggage, still got all this weight”) being overcome by the mere sight of her love.


Jonas Brothers – Sucker
I’ll be honest, I originally only listened to this song because of a curiosity of how bad it would be. How foolish I am. Sucker is well produced and takes the Motown sound we all know and love and gives it a sight modern tweaking, very much in the mould of Bruno Mars. They’ve even thrown in some whistling as well, and it’s damn catchy. Welcome back JoBro.


Art School Girlfriend – Bending Back
Art School Girlfriend released one of the best EPs of last year (Into The Blue Hour), full of electronic landscapes and superb vocals. She recently released a live EP with three tracks on, including this track (a single from 2017), recorded at the St Pancras Church in London (which is an amazing and intimate venue). I really like how Bending Back has space to grow and develop, how it all feels essential but never rushed. I can’t wait to hear more from her.


Four Tet – Only Human
A couple of weeks ago Four Tet teased on Twitter that the Nelly Furtado sample was cleared. Now we get the results. With a tempo and beat that would easily sit alongside his Eric Prydz remix, Only Human is a house track with all of little Four Tet tweaks and twists. The basic beat sits in the background as the vocals and other sounds get chopped and deployed at random intervals.


Catz ‘n’ Dogs, James Yuill – There
From the outside this has a melancholic vibe that brings to mind the Stone Roses. As it develops, you get some prominent acoustic guitar and more subtle keys in the background. But it’s the hypnotic percussion beats that help you drift along with the track.

Top 50 Songs of 2018 – 30 to 21

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  1. Bicep – Opal (Four Tet Remix)

Four Tet remixes aren’t generally known for simplifying records, but with Opal he’s given the track a more accessible beat and brought the melody front and centre. It sounds great and has had me bopping my head along for nine months now.

 

  1. Billie Marten – Mice

Yorkshire singer Billie Marten provided the year’s most beautifully aimless and introspective track. Mice fills the senses with countryside; it transports you to rural settings far away from towns and cities. It’s such an internal track, you can feel the frustration and lethargy in both the music and the vocals.

 

  1. Art School Girlfriend – Distance (Blank)

Art School Girlfriend’s Into The Blue Hour was one of my favourite EPs of the year and Distance (Blank) was the second track on the EP. Full of electronic rumblings, introspection and claustrophobia, Distance (Blank) is a hugely impressive outing from the singer from North Wales.

 

  1. Robyn – Missing U

What a comeback single. Missing U sounded instantly fresh and yet familiar, reminding everyone how good she really is. Somehow combining optimism with crushing sadness, Missing U merely whet the appetite for music fans around the world in anticipation for – in my opinion – was the album of the year.

 

  1. SG Lewis, AlunaGeorge – Hurting

A straight up banger dripping in lust from the Lewis and AlunaGeorge combination. “Hurting for your body,Hurting for your body and your soul, You really got me searching, Begging for a way to make me whole” Aluna Francis pines over the beautifully simple electronics.

 

  1. GoGo Penguin – Raven

The inclusion of GoGo Penguins necessitates me eating a bit of humble pie. I completely hated their 2014 v2.0 album, and was very surprised when George – who previously wrote for Astral Penguins – recommended their latest work to me. “The piano sounds like Sister Bliss” he said, and indeed it does. Raven borders on being a dance track, and has a beautiful mixture of space and urgency.

 

  1. Billie Eilish, Khalid – lovely

The somewhat ironically titled lovely combines two of the most brilliant and exciting voices in music right now. Full of sadness, despair and tenderness, the sparse production simply allows the two vocalists to sing their sad tale.

 

  1. Black Futures – Trance

Trance is an orgy of rage. Sounding something like the end of the world, the track feels relentless. Every time you get a brief respite from the onslaught of the guitars and drums, you know it isn’t going to last, so just enjoy the chaos. The last two minutes or so of this track are probably the best I’ve heard all year.

 

  1. ZAYN – Sour Diesel

Sour Diesel sounds like INXS. Sensual vocals, sparse drums and catchy hooks, it has all the hallmarks that made Michael Hutchence and co such massive superstars in the 1980s. Nothing any of the former One Direction boys have done has come close to the pop perfection that is Sour Diesel.

 

  1. Travis Scott – SICKO MODE

I was very underwhelmed by Astroworld, Scott’s hugely successful 2018 album, but there’s absolutely nothing on SICKO MODE that I don’t love. A three-part masterpiece, it’s a triumph of hip hop production and shows that the genre keeps finding ways to push itself to the forefront of music.