If you haven’t yet heard of Migos (pronounced like amigos, without the a), where have you been? Following a decent debut album in 2015, the Atlanta trap trio have taken the last couple of years by storm. Whether it’s with hit single “Bad & Bougee”, an appearance in the excellent Atlanta created by and starring Donald Glover (what do you mean you haven’t seen it yet?), or the fact that they are credited by some with creating the dab, it’s been pretty hard to avoid them. With their sophomore album, “Culture”, they’ve really hit their stride.
Firstly, I feel obliged to point out that clearly the average trap album isn’t likely to include themes that I can relate to. I’m a thirty-something accountant, living on the Essex coast. But fear not, it doesn’t detract from the huge amount of enjoyment I take from listening to this one, and it won’t for you either.
Every album should start with an intro from Snapchat hero, DJ Khaled – I’d actually quite like it if he could just walk into rooms before me and scream my arrival. I’m also a huge fan of what appears to be a xylophone loop playing underneath the vocals, and from the off the tone is set for what proves to be an incredible first five tracks.
“T-Shirt” is easily my favourite song on the album. The sample fading in and out on the production works perfectly with the vocal, and I can’t ever remember loving a tune for essentially having two choruses. The swagger and bravado you would expect from a release of this type is evident from the very first verse as Takeoff, in his trademark stacatto style, proclaims:
Lotta niggas copy, name someone can stop me
It’s Offset though, with his auto-tuned singing style, that makes it for me. This one stayed on repeat the first time I heard it, and hasn’t stopped looping in my head since.
The high standard continues with the infectious “Call Casting” – you’ll be hearing that piano for days – before we launch straight into the track Donald Glover described as “the best song ever”. I won’t bore you by describing it, or giving my insight. The best thing you can do is listen to “Bad and Boujee”, right now.
“Get Right Witcha” completes the outstanding opening to the album, with a great asian-style flute sample, and an even better drum track. It’s just a shame the track fades out at the end, because I could listen to that instrumental for weeks.
At this point, the album takes a dip in quality. That’s not to say that it’s bad, or not worthy of your time, more that it’s hard to top what has come so far. It does feel a little like listening to the same song over and over, but there are still some highlights.
“Slippery” sees Gucci Mane guesting, but it’s still Takeoff, Quavo and Offset that shine as they brag about women and cars. On “Big On Big”, I find it hardest to relate to the lyrics. I’ve never owned a Benz – in fact I don’t own a car full stop – and certainly not a mansion with a four car garage. And yet there’s still something pleasing in hearing the trio boast about their well-deserved spoils.
Short but sweet and with a killer hook, “What The Price” opens with a guitar sample that wouldn’t sound out of place on one of Prince’s finest tracks, and “Brown Paper Bag” goes straight in at the deep end as Offset hits a perfect flow. “Deadz” follows with a huge brass arrangement, and a slower tempo.
Before the album reaches its conclusion, there’s time for one more killer hook. “All Ass” is the closest Migos get to a love song, professing their adoration for strippers and booty, and it probably delivers my favourite chorus:
Yeah, beat the pot, beat the pot, beat the pot, oh
Bad bitches walkin’ out with bags at the store (bad)
Stripper girl shakin’, all ass on the pole (all ass ay, all ass ay)
Things get a little weird on “Kelly Price”, with tales of drug-fuelled lovemaking sessions, and making girls “sing” like the aforementioned grammy-nominated r&b singer. Unfortunately, it’s about two minutes too long for me.
“Out Yo Way” completes the release, and one lyric in particular sums up exactly how they should be feeling:
Everybody said that we would fall away
Nobody thought that we would go up
But we blew up, blew up, blew up
Migos really have delivered an outstanding piece of work. As I said, the first five tracks are truly incredible, and set a very high bar that the rest of the album only just fails to reach. It’s a real statement, and deserves all the praise it’s getting. More importantly, it lives up to all the pre-release hype.
HIGHLIGHTS: “T-Shirt”, “Bad and Boujee”, “Get Right Witcha”, “All Ass”.