This Week: seven new tracks to tickle your ears

logomakr_76k0fbI meant to get this out yesterday, but an unforeseen work crisis kept me in the office. Annoying, but it happens. If you’re super angry about the delay, here’s a cute picture of Max to pacify you:

Beyond these seven tracks we have three additional tracks lined up this week as ‘Tracks of the Day’, the First of which will appear this evening.

Anyway here is the This Week playlist; seven songs that I’ve given a couple of listens to, like, and are here to tickle your ears. Let me know what you think.

Naives – Crystal Clear 

It’s a little early to be predicting the songs that will send crowds bonkers at summer festivals, but I’m pretty confident anyone seeing Naives will remember Crystal Clear. Sitting in a ‘indie meets pop meets dance’ bracket occupied by Friendly Fires and Late of the Pier, this is a shapeshifting track that sounds carefree and playful.

Anna of the North – Oslo 

It’s bloody freezing in London right now, and the icy electronics of Oslo pretty much mirrors that sensation. There’s a strong Chvrches comparison to my ear, and a mournful euphoria at points in this record. It is certainly simple, but more than merits a few listens.

The XX – Performance

For the second week in a row there’s a track from The XX on the playlist. But whereas last week there was the bombastic Dangerous – a complete change in direction for the band – this week we have Performance, a heart-dropping, mournful and gripping record that finds The XX back on familiar ground. Romy’s vocals are – as usual – emotional in a way so few other singers can manage; elevated by the strings and stripped back guitar. I’ve listened to I See You a fair few times in the past week, and Performance is the track that grips my insides more than any other.

Sohn – Harbour 

There’s a lot of good things to say about Rennen, Sohn’s recently released album. I shall hopefully be blogging about it in the next few days. I was a big fan of 2016 singles Signal and Conrad. Harbour is the album closer and has an eery opening; like the beginnings of a science fiction movie. But then it begins to explore the electronica landscape, evolving into something that Caribou would be proud of. Sohn has an interesting habit of writing songs that have two distinct parts, and Harbour is a fascinating idea of what future Sohn albums could sound like; expansive, eery and electrifying.

Black Map – Ruin 

Time to shake away those wintery feelings and embrace the world of rock. Hailing from San Francisco, this trio all feature in other bands but have come together to make some stonking rock music of their own. Ruin starts ominously and has an early 00’s vibe to it. The internet (read: Google) tells me they’ve an album coming out in March, which I’ll certainly check out.

Mixhell – Crocodile Boots (Soulwax Remix) 

I don’t really know how to succinctly describe this record. A robot disco travelling in Doctor Who’s Tardis with Kraftwerk to a distant planet in the future? It’s the best I’ve got. Soulwax remain one of the most interesting acts in music and following a few years doing their Despacio  project it certainly seems like they’ve found their groove in the long-forgotten vinyls of 1982.  It’s certainly distinct and if you can get through it without wanting to sing ‘These are my rules’ then you’re made of sterner stuff than I.

Stage Van H – Orange Beach (Marko Melo Remix) 

I love dance tracks that make me feel like I’m on a long train journey, with scenery flying by the window and the sun setting. Orange Beach has a top-line that constantly teases you; dangling melodies and noises but withdrawing then before you get too comfortable and drawing your ears and imagination back to its dynamic underbelly.

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